Hans Maler, 1525 - Ulrich Fugger le jeune (1490-1525) - tirage d'art

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Le plus 490 year-old artwork was created by the northern renaissance master Hans Maler in 1525. The version of the artwork has the size of 15 7/8 x 12 3/4 po (40,3 x 32,4 cm) et a été conçu avec le technique of oil on linden. Moveover, this artwork can be viewed in in the Le Metropolitan Museum of Art's collection in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Legs de Benjamin Altman, 1913 (licence - domaine public). De plus, l'œuvre a la ligne de crédit suivante: Legs de Benjamin Altman, 1913. En outre, l'alignement de la reproduction numérique est en portrait le format et a un rapport latéral de 1: 1.2, Ce qui signifie que la longueur est 20% plus courte que la largeur. The painter Hans Maler was an artist from Germany, whose artistic style can primarily be classified as Northern Renaissance. The German artist was born in 1475 in Ulm, Baden-Wurttemberg, Germany and deceased at the age of 54 dès 1529.

Artwork depiction from The Metropolitan Museum of Art website (© - Le Metropolitan Museum of Art - Le Metropolitan Museum of Art)

Hans Maler produced numerous portraits of members of the Fugger family, who by the sixteenth century had become one of Europe’s greatest mercantile and banking dynasties. This painting shows Ulrich Fugger the Younger at age thirty-five, in the final year of his life, when he represented his family in the flourishing mining center of Schwaz in Tirol. A nearly identical version exists in a private collection. The Fuggers may have commissioned such relatively small portraits in multiples to distribute among family members and important business partners and to decorate the family’s residences and offices.

Détails sur l'oeuvre

Résumé de l'artiste

Matériaux sélectionnables

Nous proposons une gamme de différentes tailles et matériaux pour chaque produit. Afin de correspondre parfaitement à vos besoins personnels, vous pouvez choisir parmi les options de personnalisation de produit suivantes:

• Impression dibond en aluminium: An Aluminium Dibond print is a print with an outstanding depth. A non-reflective surface creates a contemporary look. The bright & white parts of the original artpiece shine with a silky gloss, however without glow. The colors of the print are luminous, fine details are clear and crisp.
• Affiche imprimée (matériel de toile): A poster print is a printed sheet of flat cotton canvas with a slight surface texture, that reminds the actual version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print in order to facilitate the framing with your custom frame.
• Impression sur verre acrylique (avec revêtement en verre véritable): An acrylic glass print, which is often referred to as a UV print on plexiglass, will convert your favorite artwork into home decoration. The work of art is being manufactured thanks to the help of state-of-the-art UV direct printing technology. The special effect of this are sharp and vivid color tones. The great upside of an acrylic glass fine art copy is that contrasts and small details will be more exposed due to the very subtle tonal gradation of the print. Our acrylic glass protects your custom art replica against sunlight and heat for decades.
• L'impression sur toile: The printed canvas material applied on a wooden frame. What is more, canvas print makes a homelike and warm feeling. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.

Détails des éléments structurés

Important note: We try everything to describe our art products in as much detail as possible and to illustrate them visually on the respective product detail pages. Nevertheless, the pigments of the print materials and the printing can differ somehwat from the image on your monitor. Depending on the screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version. In view of the fact that the fine art prints are processed and printed by hand, there might as well be slight deviations in the motif's size and exact position.

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