Elisabeth Louise Vigée Le Brun, 1787 - Alexander Charles Emmanuel de Crussol-Florensac (1743-1815) - tirage d'art
TTC Expédition calculée à la caisse.
(© Copyright - Le Metropolitan Museum of Art - www.metmuseum.org)
The portrait—one of Vigée Le Brun's finest—shows Emmanuel de Crussol at the height of his career, wearing the blue sash and collar of the order of the Saint-Esprit and the Maltese cross of the order of the Knights of Malta. His red hair is powdered. Crussol entered the service of the comte d'Artois (the future Charles X) in 1773. Having been a professional soldier, at court he became a gifted professional actor.
Détails des illustrations structurées
Nom de l'oeuvre: | "Alexander Charles Emmanuel de Crussol-Florensac (1743-1815)" |
Catégorisation: | peinture |
Terme générique: | art classique |
siècle: | 18th siècle |
Année de l'oeuvre: | 1787 |
Âge de l'oeuvre: | autour des années 230 |
Support d'origine: | huile sur bois |
Dimensions de l'oeuvre originale: | 35 3/8 x 25 1/2 po (89,9 x 64,8 cm) |
Musée: | Le Metropolitan Museum of Art |
Emplacement du musée: | New York City, New York, États-Unis d'Amérique |
Site Web du musée: | Le Metropolitan Museum of Art |
Type de licence d'illustration: | domaine public |
Avec l'aimable autorisation de: | Metropolitan Museum of Art, New York, Collection Jules Bache, 1949 |
Ligne de crédit: | Collection Jules Bache, 1949 |
Bref aperçu de l'artiste
Nom de l'artiste: | Élisabeth Louise Vigée Le Brun |
Genre: | femelle |
Nationalité: | Français |
Travaux: | peintre |
Pays natal: | France |
Classification: | vieux maitre |
Vie: | 87 ans |
Année de naissance: | 1755 |
Décédés: | 1842 |
Les détails du produit
Type d'article: | l'art pariétal |
Méthode de reproduction: | reproduction au format numérique |
Méthode de production: | impression numérique |
Fabrication: | Fabriqué en Allemagne |
Type de stock: | production à la demande |
Utilisation du produit: | décoration murale, collection d'art (reproductions) |
Alignement de l'image: | alignement portrait |
Rapport d'image: | 1: 1.4 - longueur: largeur |
Signification du rapport latéral: | la longueur est 29% plus courte que la largeur |
Matériel de reproduction disponible: | impression sur toile, impression métallique (aluminium dibond), impression sur verre acrylique (avec revêtement en verre véritable), impression d'affiche (papier de toile) |
Options de taille de toile sur châssis de civière (impression sur toile): | 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55" |
Options d'impression sur verre acrylique (avec revêtement en verre véritable): | 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55" |
Variantes de taille d'impression d'affiche (papier de toile): | 50x70cm - 20x28 " |
Impression sur aluminium: | 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55" |
Cadre: | pas de cadre |
Choisissez votre matériel
Dans les listes déroulantes des produits, vous pouvez choisir un matériau et une taille de votre choix. Vous pouvez choisir parmi les options de personnalisation de produit suivantes:
- Impression sur toile: The UV printed canvas material stretched on a wood frame. A canvas creates a distinctive effect of three-dimensionality. Further, a printed canvas creates a cosy and pleasing feeling. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang up your Canvas print without the use of any wall-mounts. A canvas print is suited for all types of walls.
- L'impression sur verre acrylique: The print on acrylic glass, which is often referenced as a fine art print on plexiglass, will transform the original artwork into amazing home decoration. The artwork will be manufactured with the help of state-of-the-art UV direct printing technology. It makes vivid and sharp print colors. The major benefit of a plexiglass fine art print is that contrasts as well as small painting details will be more exposed thanks to the granular tonal gradation. Our real glass coating protects your chosen art replica against light and external influences for several decades.
- Impression d'affiche (matériel de toile): A poster is a UV printed canvas paper with a slightly roughened surface structure, which reminds the actual version of the work of art. It is excellently suited for framing the art replica with the help of a personal frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing.
- Impression dibond en aluminium: This is a metal print made on aluminium dibond material with an outstanding depth. For your Aluminium Dibond option, we print the chosen artwork onto the aluminium composite surface. The colors are luminous and bright, fine details of the print are crisp and clear, and there’s a matte look you can literally feel. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase fine art prints, since it puts the viewer’s focus on the image.
Informations générales sur la peinture de plus de 230 ans
Alexander Charles Emmanuel de Crussol-Florensac (1743-1815) is a work of art made by the French painter Élisabeth Louise Vigée Le BrunL’ 230 Un chef-d'œuvre vieux de plusieurs années a été réalisé avec la taille : 35 3/8 x 25 1/2 po (89,9 x 64,8 cm) et a été peint avec huile sur bois. The piece of art is in the the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949 (sous licence: domaine public). In addition to that, the work of art has the creditline: The Jules Bache Collection, 1949. Further, the alignment of the digital reproduction is portrait with a ratio of 1: 1.4, Ce qui signifie que la longueur est 29% plus courte que la largeur.
Avertissement légal: We try the best we can to describe the art products as accurate as possible and to exhibit them visually. Nonetheless, the colors of the printing material and the printing might vary somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Considering that the art prints are processed and printed by hand, there might also be minor variations in the size and exact position of the motif.
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