Giovanni-Battista Cima Da Conegliano, 1495 - Vierge à l'enfant - tirage d'art

Informations générales sur le produit artistique

En 1495, l'artiste Giovanni-Battista Cima Da Conegliano made this artpiece with the title "Virgin and Child". The original measures the size: Hauteur: 71,5 cm, Largeur: 55 cm. Peinture à l'huile was applied by the painter as the technique for the masterpiece. The artwork's inscription is: Signature apocryphal - Bottom middle: "JOANNES B.". De nos jours, l'œuvre est dans la collection d'art numérique de Petit Palais - Musée des Beaux-arts de la Ville de Paris situé à Paris, France. Avec l'aimable autorisation de - Petit Palais Paris (licence du domaine public) .Ligne de crédit de l'œuvre:. En plus de cela, l'alignement est portrait et a un ratio de 3: 4, Ce qui signifie que la longueur est 25% plus courte que la largeur.

Matériaux de produits que vous pouvez choisir

Pour chaque tirage d'art, nous proposons différents matériaux et tailles. Nous vous permettons de choisir parmi les variantes suivantes:

• Impression sur verre acrylique (avec revêtement en verre véritable): An print on acrylic glass, often referenced as a fine art print on plexiglass, will transform your favorite original artwork into décor. The real glass coating protects your chosen art print against light and external influences for many years to come.
• L'impression sur toile: The canvas print, which should not be confused with a real painting on a canvas, is a digital image printed directly on canvas. In addition to that, a canvas generates a cosy and comfy feeling. Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
• Impression d'affiche sur toile: The poster print is a UV printed cotton canvas paper with a slightly roughened surface finish, which reminds the original masterpiece. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm round about the print motif, which facilitates the framing with your custom frame.
• Métal (impression dibond en aluminium): These are metal prints on aluminium dibond material with a true depth effect - for a modern impression and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the excellent start to art replicas on aluminum. For our Aluminium Dibond option, we print your artwork onto the surface of the aluminum material. Colors are luminous in the highest definition, fine details of the print appear crisp, and you can literally notice a matte appearance of the product.

Legal disclaimer: We try what we can to describe the products with as many details as possible and to illustrate them visually in our shop. Nevertheless, the pigments of the print materials and the printing may vary marginally from the representation on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed 100% realistically. Considering that all our fine art prints are processed and printed manually, there may as well be slight variations in the motif's size and exact position.

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Informations générales sur l'oeuvre

Métadonnées d'artistes structurées

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This is one of the most classic subjects of Western religious painting, a Madonna and Child, devotional image for a church or a chapel conventional privée.Un about but certainly innovatively treated for Venice 1500s . the Venetian Madonnas were traditionally painted on a gold background for the sacred, like icons. The Venetian painters of the late fifteenth century, inspired by the Tuscan models dare to represent in naturels.Ainsi Cima Conegliano decorations installs outdoor Virgin, before a landscape that evokes the hills of his native Friuli. A warm light of late afternoon softens forms and provides the link between the sacred and the landscape Couple. The painter excels to a carnal reality the oval a little round face of this very young mother and chubby body of the Child. Note the graceful gesture and Natural Jesus who raises his hand to caress the cheek finally Marie.Notez superb chromatic harmony between the cold shades, crystal, landscape and the warm tones of skin tones and clothing. The art of color is a characteristic of the great Venetian painting of the next generation: Giorgione and Titian will remember the lesson of Cima Conegliano.

This conventional about Madonna and Child is here innovatively processed to Venice from 1500. The Venetian Madonnas were traditionally painted on a gold background for the sacred, like icons. The Venetian painters of the late fifteenth century, inspired by the Tuscan models dare to represent them in natural settings. Thus Cima Conegliano installs outdoor Virgin, before a landscape that evokes the hills of his native Friuli. It also excels in chromatic harmony between the cold shades, crystal, landscape and the warm tones of skin tones and clothing. The art of color is a characteristic of the great Venetian painting of the next generation: Giorgione and Titian will remember the lesson of Cima Conegliano.

Marie Sainte (Vierge, personnage biblique); Jésus Christ

figure religieuse - Divinité, Vierge à l'Enfant, Christ Enfant, Halo