Jean-Baptiste-Siméon Chardin, 1760 - Nature morte aux pêches, un gobelet en argent, raisins - tirage d'art

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Dans le 1760 Français artiste Jean-Baptiste-Siméon Chardin peint le 18th siècle oeuvre appelée "Still Life with Peaches, a Silver Goblet, Grapes". Le plus 260 l'original d'un an mesure la taille: 38,1 x 46,7 cm et a été fait avec le technique huile sur toile. Moveover, l'œuvre d'art est incluse dans la collection d'art numérique de Musée J. Paul Getty, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The masterpiece, which belongs to the public domain is supplied with courtesy of Musée J. Paul Getty.Besides, the artpiece has the creditline: . Moreover, alignment is paysage d'été with an image ratio of 1.2 : 1, which implies that the length is 20% longer than the width. The painter Jean-Baptiste-Siméon Chardin was an artist, whose style can be classified as Baroque. The French painter was born in 1699 à Paris et décédé à l'âge de 80 ans en 1779.

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"It is the air and light you take with the tip of your brush and fix to your canvas...[your work] exists between nature and art," wrote Denis Diderot of Jean-Siméon Chardin in his Salon review of 1765. In still lifes, genre scenes, and the occasional portrait, Chardin's skill at rendering the visual and tactile qualities of simple objects won him the admiration of critics like Diderot.

In this small still life, Chardin portrayed a modest subject--three walnuts, four peaches, two bunches of grapes, and a pewter mug--but gave the objects monumentality by arranging them in pure geometric groupings and concentrating on their basic forms. He suggested the objects' various textures and substances through the play of light across surfaces and successive applications of paint. In this way, Chardin conveyed the fuzzy skin of the peaches, the hard, brittle shell of the walnuts, the translucence of the grapes, and the heavy, cold exterior of the pewter mug.

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• Impression sur verre acrylique (avec revêtement en verre véritable): An acrylic glass print, which is often referred to as a plexiglass print, will turn your favorite original artwork into brilliant décor. Further, the acrylic print is a good alternative to canvas and aluminidum dibond prints. The artwork will be printed with state-of-the-art UV printing machines. With an acrylic glass fine art print contrasts as well as smaller image details become visible because of the delicate gradation in the print.
• Impression dibond en aluminium: These are metal prints on aluminium dibond with an impressive effect of depth - for a modern look and a non-reflective surface. For our Direct Aluminium Dibond option, we print your chosen artwork onto the surface of the white-primed aluminum composite. The bright and white parts of the artpiece shimmer with a silk gloss, however without any glare.
• Affiche imprimée sur toile: La Artprinta poster print is a UV printed canvas paper with a granular surface finish. It is particularly appropriate for placing your fine art print with the help of a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with your custom frame.
• Toile: The canvas print, not to be mistaken with a painting on a canvas, is a digital image printed on an industrial printer. A canvas makes the typical look of three dimensionality. How can I hang a canvas on the wall? The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without the use of any wall-mounts. Hence, a canvas print is suitable for all kinds of walls.

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