Jan van de Cappelle, 1660 - Paysage marin avec des navires - tirage d'art

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Votre impression d'art visuel personnelle

Le plus 360 une œuvre d'art d'un an a été réalisée par l'artiste Jan van de Cappelle dans l'année 1660. Le plus de 360 L'original d'un an a été peint avec la taille - hauteur: 88,5 cm largeur: 113,5 cm | hauteur: 34,8 po largeur: 44,7 po. Oil on panel transferred to canvas was applied by the painter as the medium of the masterpiece. The artwork is included in the digital collection of Mauritshuis in The Hague, South Holland, Netherlands. We are happy to mention that this artpiece, which is part of the public domain is supplied with courtesy of Mauritshuis, La Haye. Besides, the artwork has the creditline: William Henry Forester Denison, 1st Earl of Londesborough (sale London, Christie's, 7 July 1888, lot 82, to Colnaghi's); Colnaghi's, London, 1888; Charles Henry Mills, 2nd Baronet of Hillingdon and as of 1886 1st Baron Hillingdon, London; passed down in the family via Charles William Mills, 2nd Baron Hillingdon; Arthur Robert Mills, 3rd Baron Hillingdon; Charles Hedworth Mills, 4th Baron Hillingdon (sale London, Christie's, 29 June 1979, lot 86, to Hans Cramer for Sonne); Sonne Collection, Germany, 1979-1987; private collection, Germany, 1987; acquired with the support of the BankGiro Loterij, the Mondriaan Foundation, the National Art Collections Fund, the bequest of Mrs A.C. van Agtmaal, the Ministry of Education, Culture and Science, the VSB Fund Foundation, the Friends of the Mauritshuis Foundation,the Rembrandt Association (with support from the bequest of Mr and Mrs Kamerbeek-Walenkamp) and the SNS-Reaal Fund, 2007. Moreover, alignment of the digital reproduction is paysage d'été avec un rapport latéral de 4: 3, Ce qui signifie que la longueur est 33% plus longue que la largeur. The painter, draftsman Jan van de Cappelle was a European artist from the Netherlands, whose artistic style can mainly be assigned to Baroque. The Dutch artist was born in the year 1626 in Amsterdam, North Holland, Netherlands and died at the age of 53 in the year 1679.

General description as provided by Mauritshuis (© Copyright - Mauritshuis - www.mauritshuis.nl)

William Henry Forester Denison, 1st Earl of Londesborough (sale London, Christie's, 7 July 1888, lot 82, to Colnaghi's); Colnaghi's, London, 1888; Charles Henry Mills, 2nd Baronet of Hillingdon and as of 1886 1st Baron Hillingdon, London; passed down in the family via Charles William Mills, 2nd Baron Hillingdon; Arthur Robert Mills, 3rd Baron Hillingdon; Charles Hedworth Mills, 4th Baron Hillingdon (sale London, Christie's, 29 June 1979, lot 86, to Hans Cramer for Sonne); Sonne Collection, Germany, 1979-1987; private collection, Germany, 1987; acquired with the support of the BankGiro Loterij, the Mondriaan Foundation, the National Art Collections Fund, the bequest of Mrs A.C. van Agtmaal, the Ministry of Education, Culture and Science, the VSB Fund Foundation, the Friends of the Mauritshuis Foundation,the Rembrandt Association (with support from the bequest of Mr and Mrs Kamerbeek-Walenkamp) and the SNS-Reaal Fund, 2007

Tableau d'oeuvre d'art

Nom de l'oeuvre: "Seascape with Ships"
Classification: peinture
Catégorie générale: art classique
Période: 17th siècle
Créé : 1660
Âge approximatif de l'oeuvre: autour 360 ans
Support original de l'oeuvre: huile sur panneau transférée sur toile
Taille de l'oeuvre originale: hauteur: 88,5 cm largeur: 113,5 cm
Musée / collection: Mauritshuis
Emplacement du musée: La Haye, Hollande méridionale, Pays-Bas
Site Web : Mauritshuis
Type de licence: domaine public
Avec l'aimable autorisation de: Mauritshuis, La Haye
Ligne de crédit: William Henry Forester Denison, 1st Earl of Londesborough (sale London, Christie's, 7 July 1888, lot 82, to Colnaghi's); Colnaghi's, London, 1888; Charles Henry Mills, 2nd Baronet of Hillingdon and as of 1886 1st Baron Hillingdon, London; passed down in the family via Charles William Mills, 2nd Baron Hillingdon; Arthur Robert Mills, 3rd Baron Hillingdon; Charles Hedworth Mills, 4th Baron Hillingdon (sale London, Christie's, 29 June 1979, lot 86, to Hans Cramer for Sonne); Sonne Collection, Germany, 1979-1987; private collection, Germany, 1987; acquired with the support of the BankGiro Loterij, the Mondriaan Foundation, the National Art Collections Fund, the bequest of Mrs A.C. van Agtmaal, the Ministry of Education, Culture and Science, the VSB Fund Foundation, the Friends of the Mauritshuis Foundation,the Rembrandt Association (with support from the bequest of Mr and Mrs Kamerbeek-Walenkamp) and the SNS-Reaal Fund, 2007

Tableau récapitulatif des artistes

Nom : Jan van de Cappelle
Aussi connu sous le nom: V. der Capella, Jan Vander Capel, Cappelle Jan van de, Van Capella, Van Cappella, Jan van Capella, Van der Capelle, J. van de Kapelle, Jan van der Capelle, V. Capelli, Jan van de Capella, Cappellen, Cappelle Jan, Van der Capel, Jan van Kapelle, J. v. Cappelle, P. Capella, J. F. van Capelle, Jean v. Cappel, Capel, Van Capel, Jan van Capel, j. v. de cappelle, Capel Jan, Jean Van Kapelle, van Capelle, Vander Cappella, Van der Capellen, Jean van Capelle, Van de Capella, Vander Capel, Vande Capella, Vander Capelle, Capellen, J.v.d. Cappelle, Capell, V. Capella, Van Cappellen, Jan vande Capelle, Capelli, Jan van Kappellen, V. de Capella, Vander Capeiller, Jan van de Cappel, Capelle Jan, Van der Capella, Cappelle Johannes van de, Cappale, J. van Capelle, Jan Vander Capell, Capelle Joannes van de, capelle jan van de, J. Capelle, Capelle, Cappelle Joannes van de, Van de Capelle, Jan van de Cappelle, Vandercapellen, Kapel, Jann v. d. Capelle, Van Kappellen, Cappel, Jan van Capelle, Capella, Capel Joannes van de, Cappelle, Capel Jan van de, V. Cappell, Jan van de Cappale, Vander Capell, Jan vande Capella, Jan van de Capelle, Jan van Capelli, Capilli, Van de Cappel, V. de Capelle, v. d. Capelle, J.F. van Capelle, J. v. d. Cappelle, De Capelle, j. van de cappellen, J. van de Cappelle, Jan Vander Capelli, A. van Capellen, J. van Cappelle, Jan van der Capella, Capellee, Jean Van Capel, Jan Cappelle, Jan van der Capel, van de cappelle, Vander Capelli, van de Cappelle Jan, van der capelle Jan, jan van der cappelle, van de capelle j., Jan van de Kapelle, Jan Vander Cappella, Jan Vander Capella, j. van der capelle, Cappela, Jean Van Capell, Jan Baptist van Capellen, V. Capelle, vande Capelle, Vandercapelle, Johan de Capile, V. de Cappella, Capello, Jan Vander Capelle, J. v. d. Capelle, Kappel, Vander Capello, Jan van de Capello, Capelle Jan van de, Van Cappel, Jan de Capella, Vander-Capel, J. van Capellen, Vander Capella, Jan Vandercapelle
Sexe de l'artiste: mâle
Nationalité: Néerlandais
Les professions: peintre, dessinateur
Pays : Pays-Bas
Catégorie d'artiste: vieux maitre
Modes: Baroque
Âge au décès: 53 ans
Année de naissance: 1626
Ville d'origine: Amsterdam, Hollande du Nord, Pays-Bas
Année de mort: 1679
Décédé à (lieu): Amsterdam, Hollande du Nord, Pays-Bas

Choix de matériaux disponibles

Pour chaque tirage d'art, nous proposons une gamme de tailles et de matériaux différents. Choisissez parmi les options de produits suivantes maintenant en fonction de vos préférences en matière de taille et de matériau:

  • Impression dibond en aluminium: Aluminium Dibond prints are metal prints with a true effect of depth. The Aluminium Dibond Print is your ideal start to fine replicas with aluminum. For the Print On Aluminum Dibond, we print your chosen work of art on the surface of the white-primed aluminum. The bright & white parts of the original artpiece shimmer with a silk gloss but without any glow.
  • L'impression sur toile: The printed canvas material applied on a wooden frame. A canvas has the unique look of three dimensionality. How do I hang a canvas on the wall? A canvas print has the great advantage of being low in weight, which implies that it is easy and straightforward to hang the Canvas print without the use of extra wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
  • Impression sur verre acrylique brillant (avec revêtement en verre véritable): An print on acrylic glass, often denoted as a an art print on plexiglass, will transform your selected original artwork into magnificient décor. Additionally, it is a good alternative option to aluminium or canvas fine art replicas. The work of art is manufactured with the help of state-of-the-art UV direct printing technology. The real glass coating protects your selected art replica against light and external influences for many more years to come.
  • Impression d'affiche (matériau en toile): A poster print is a UV printed canvas paper with a slightly rough texture on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print to facilitate the framing.

Détails du produit structuré

Catégorisation des produits: Reproduction d'art
Méthode de reproduction: reproduction numérique
Méthode de production: Impression directe UV
Provenance: produit en Allemagne
Type de stock: à la demande
Utilisation prévue du produit: mur de la galerie, conception de la maison
Orientation: format paysage
Ratio d'aspect: longueur en largeur 4: 3
Interprétation: la longueur est 33% plus longue que la largeur
Choix de matériaux: impression sur toile, impression sur verre acrylique (avec revêtement en verre véritable), impression d'affiche (papier de toile), impression métallique (aluminium dibond)
Tailles de toile sur châssis de civière (impression sur toile): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47"
Variantes d'impression sur verre acrylique (avec revêtement en verre véritable): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 "
Variantes de taille d'impression d'affiche (papier de toile): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 "
Variantes d'impression aluminium (matériau aluminium dibond): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 "
Cadre: pas disponible

Avertissement légal: We try all that we can in order to depict the products in as much detail as possible and to illustrate them visually. Please bear in mind that the colors of the printing material, as well as the printing can vary slightly from the representation on the device's screen. Depending on your settings of your screen and the condition of the surface, colors may not be printed 100% realistically. In view of the fact that all fine art prints are printed and processed by hand, there might as well be minor variations in the exact position and the size of the motif.

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