Jacques Blanchard, 1630 - Angelica et Medoro - tirage d'art

Résumé de la réplique

Ce 17th siècle oeuvre intitulée Angelica et Medoro was painted by the baroque painter Jacques Blanchard. The painting was made with the absolute size - With added strip at top 47 7/8 x 69 1/4 in (121,6 x 175,9 cm) and was manufactured with the technique of huile sur toile. Aujourd'hui, l'œuvre d'art est dans le Le Metropolitan Museum of Art's collection d'art numérique, qui est l'un des plus grands et des plus beaux musées d'art au monde, qui comprend plus de deux millions d'œuvres d'art couvrant cinq mille ans de culture mondiale, de la préhistoire à nos jours et de toutes les régions du globe. Le Metropolitan Museum of Art, New York, don de George A. Hearn, 1906 (domaine public). Additionally, the artpiece has the creditline: Gift of George A. Hearn, 1906. In addition to this, the alignment is landscape with a side ratio of 1.4: 1, ce qui implique que la longueur est 40% plus longue que la largeur. Jacques Blanchard was a male painter from France, whose artistic style was mainly Baroque. The European painter was born in the year 1600 à Paris, Ile-de-France, France et est décédé à l'âge de 38 ans en 1638.

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Pour chaque produit, nous proposons différentes tailles et matériaux. Nous vous permettons de choisir parmi les variantes suivantes:

• Affiche imprimée (matériau en toile): The poster is a UV printed canvas with a slightly roughened structure on the surface. Please note, that depending on the size of the poster we add a white margin of around 2-6 cm round about the painting, which facilitates the framing with your custom frame.
• Impression sur toile: A printed canvas, not to be mistaken with a canvas painting, is a digital copy applied on a canvas. What is more, canvas makes a cosy and pleasant atmosphere. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. A canvas print is suitable for all types of walls.
• Impression métallique (aluminium dibond): Aluminium Dibond prints are metal prints with an outstanding depth. Its non-reflective surface make a fashionable look. A direct Aluminium Dibond Print is the ideal introduction to fine reproductions manufactured with aluminum. For your Print On Aluminum Dibond, we print the favorite artwork on the aluminium composite surface. The bright parts of the original artwork shine with a silky gloss, however without any glow. The colors of the print are luminous and bright in the highest definition, the fine details appear clear and crisp. This direct print on aluminium is one of the most demanded entry-level products and is an extremely stylish way to display artworks, as it puts the viewer’s attention on the artwork.
• Impression sur verre acrylique: An acrylic glass print, which is sometimes named as a UV print on plexiglass, will change the original work of art into beautiful wall décor. Above all, it makes a good alternative option to aluminium and canvas prints. The work of art is being custom-made with modern UV print technology. The acrylic glass protects your selected fine art print against light and external influences for many years to come.

Legal disclaimer: We try our best in order to depict the products in as much detail as possible and to illustrate them visually. Nonetheless, the tone of the printing material, as well as the print result can diverge to a certain extent from the representation on the device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed as realistically as the digital version. Given that our fine art prints are printed and processed by hand, there may also be slight differences in the motif's exact position and the size.

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Description supplémentaire par le musée (© - Le Metropolitan Museum of Art - www.metmuseum.org)

The canvas illustrates a passage from Ludovico Ariosto's (1474–1533) epic poem Orlando Furioso (XIX:36), in which the two lovers engrave their names in the bark of a tree. Because the surface is worn, the letters are no longer visible. In the early 1630s Blanchard was decorating the galleries of various private houses in Paris with such narrative pictures in series. The soft lighting and languid nudity suggest the influence of sixteenth-century Venetian painting.