copie d'après Guido Reni, 1600 - Martyre de Saint André - tirage d'art

Supplemental information by The Cleveland Museum of Art (© - by The Cleveland Museum of Art - Le musée d'art de Cleveland)

This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St. Andrew and his brother Peter were apostles of Christ and left all of their possessions to follow him. Andrew was martyred in Achaea. He requested to be crucified on the X-shaped cross because Andrew considered himself unworthy of dying on the same cross as Christ. Reni depicted an X-shaped cross in the fresco, while in this painting, the Latin cross is used. The Latin cross was common to Northern art, suggesting that the artist of this painting may have been Venetian. This representation of St. Andrew's martyrdom focuses on St. Andrew's adoration of the cross. The CMA version does not possess the chaos of Reni's larger scene, focusing instead on the central four figures, whereas in the original, a crowd of people surrounds the central group. The figure on the left bends in an unnatural pose and lacks the precision of Reni's original forms, suggesting that this piece is by another artist. The cross, originally seen in the distance, appears in the foreground of the smaller work, brought closer to St. Andrew to emphasize his relationship with God and his acceptance of his coming death.

"Martyrdom of Saint Andrew" as your art replica

The more than 420 year old artwork was created by copy after Guido Reni in 1600. L'original mesure la taille: Encadré: 55,3 x 47 x 7,7 cm (21 3/4 x 18 1/2 x 3 1/16 in); Sans cadre: 40,7 x 34,6 cm (16 x 13 5/8 po) et a été peint sur le support huile sur toile. De plus, cette œuvre d'art fait partie de la collection d'art de Le musée d'art de Cleveland in Cleveland, Ohio, États-Unis d'Amérique. Avec l'aimable autorisation de: Le musée d'art de Cleveland (sous licence - domaine public). La limite de crédit de l'œuvre d'art est: Collection Holden. De plus, l'alignement de la reproduction numérique est portrait et a un rapport d'image de 1: 1.2, ce qui signifie que la longueur est 20% plus courte que la largeur.

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The product dropdown menu ofers you the chance to select your individual size and material. The following options are available for individualization:

• Impression d'affiche sur toile: Our poster print is a UV printed flat canvas with a slight surface finish, that resembles the actual version of the masterpiece. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6 cm round about the print to facilitate the framing with a custom frame.
• Métal (impression dibond en aluminium): An Aluminium Dibond print is a print material with an outstanding depth. The bright and white components of the original artwork shimmer with a silky gloss, however without glow.
• Toile: A canvas print is a printed cotton canvas mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang up the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
• Verre acrylique imprimé: A glossy print on acrylic glass, which is sometimes referenced as a an art print on plexiglass, makes an artwork into décor. The artwork is being manufactured thanks to the help of state-of-the-art UV direct print machines. Our plexiglass protects your custom art replica against light and heat for decades.

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Détails sur l'oeuvre originale

Informations générales sur l'article

Informations importantes: We try to describe our products with as many details as possible and to showcase them visually on the product detail pages. Nonetheless, the colors of the printing material and the imprint might diverge marginally from the image on the monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments can be printed 100% realistically. Considering that all our art prints are processed and printed manually, there may also be minor differences in the motif's exact position and the size.

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