Paul Cézanne, 1877 - Portrait de la femme de l'artiste - tirage d'art

Spécifications des produits artistiques

C'est plus que 140 œuvre d'art de plusieurs années nommée Portrait de la femme de l'artiste a été créé par le impressionniste maître Paul Cézanne. La version de l'illustration a la taille suivante: Hauteur: 59,5 cm (23,4 ″); Largeur: 49,5 cm (19,4 ″) Encadré: Hauteur: 75 cm (29,5 ″); Largeur: 64,5 cm (25,3 ″); Profondeur: 9 cm (3,5 ″). Huile sur toile was applied by the French artist as the technique for the piece of art. Nowadays, this artwork belongs to the Musée national de Stockholm collection d'art numérique, qui est le musée suédois d'art et de design, une autorité gouvernementale suédoise ayant pour mandat de préserver le patrimoine culturel et de promouvoir l'art, l'intérêt pour l'art et la connaissance de l'art. Avec l'aimable autorisation de : Nationalmuseum Stockholm & Wikimedia Commons (domaine public).:. En plus de cela, l'alignement de la reproduction numérique est portrait et a un ratio de 1: 1.2, Ce qui signifie que la longueur est 20% plus courte que la largeur. The painter Paul Cézanne was a European artist, whose style can be classified as Impressionism. The French painter lived for 67 ans and was born in the year 1839 and died in the year 1906 in Aix-en-Provence.

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Dans les listes déroulantes des produits, vous pouvez choisir le matériau et la taille de votre choix. Les tailles et matériaux suivants sont les options que nous vous proposons pour l'individualisation:

• Affiche imprimée (matériau en toile): Our poster is a printed sheet of canvas paper with a granular surface finish, that resembles the actual work of art. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art in order to facilitate the framing with your custom frame.
• L'impression sur toile: The canvas print, not to be confused with a canvas painting, is an image printed on an industrial printer. The printed canvas makes a familiar and pleasant ambience. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suited for all types of walls.
• Impression métallique (aluminium dibond): Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern look and non-reflective surface. A direct Direct Print on Aluminum Dibond is the best start to fine art reproductions made with aluminum. The white & bright parts of the original work of art shimmer with a silky gloss but without the glow.
• Verre acrylique imprimé (avec revêtement en verre véritable): An acrylic glass print, which is often described as a fine art print on plexiglass, makes the original into beautiful décor. The work of art is manufactured with modern UV direct print machines. The result of this are sharp, rich colors. The great advantage of a plexiglass print is that contrasts plus minor image details become visible because of the precise tonal gradation. Our acrylic glass protects your chosen art replica against sunlight and heat for many more years to come.

Avertissement légal: We try all that we can to describe our art products as accurate as possible and to display them visually in our shop. Nevertheless, the colors of the print materials, as well as the imprint can differ somehwat from the presentation on your device's screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Because all are printed and processed by hand, there might as well be minor variations in the motif's size and exact position.

Informations sur les articles structurés

Détails structurés de l'œuvre d'art

Bref aperçu de l'artiste

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Informations originales sur les œuvres d'art du musée (© - par Nationalmuseum Stockholm - www.nationalmuseum.se)

English: This is one of Cézanne's many portraits of his wife Hortense Fiquet. They met in 1869, when she was working as a model. Their son was born in 1872, but they did not marry until 1886 – because Cézanne was afraid of how his father would react. Cézanne rarely dated his paintings, but the yellowish wallpaper in the background, with its characteristic blue pattern, makes it possible to date the portrait. This particular wallpaper indicates that the painting is from the Paris flat that the couple rented for a short period in 1877. Denna målning är ett av de många porträtt Cézanne utförde av sin hustru Hortense Fiquet. De hade träffats 1869, när hon arbetade som modell. Deras son föddes 1872, men de gifte sig först 1886 – Cézanne oroade sig länge för sin fars reaktion. Cézanne daterade sällan sina målningar. Men bakgrundens gulaktiga tapet med sitt karaktäristiska blå mönster har i det här fallet gjort det möjligt att tidsbestämma porträttet. Just denna tapet fanns nämligen i den Parislägenhet som paret hyrde under en kort period 1877.