Lovis Corinth, 1922 - Nature morte aux chrysanthèmes et amaryllis - tirage d'art

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Corinth Flowers appear excessive and chaotic, a passionate work with the color and the excessive abundance of flowers. What grows up quite clearly interpretable and sorted from the lower edge of the picture here, unfolds in the upper part to a orgiastic dance of brush and palette knife marks in semi-liquid material of color. This allows the legitimate conclusion that the painting process progress from the bottom up. The top chrysanthemums left the flower-like and tilt in the expression to the vague grotesque. This 'breaking' is disturbing and raises questions as well as the double signature - bottom left and at the top of the screen. [Dietrun Otten, 2009]

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Things you should know about this artpiece from the modern artist with the name Lovis Corinth

La l'art moderne œuvre d'art intitulée Still life with chrysanthemums and Amaryllis was made by the male painter Lovis Corinth in the year 1922. Le plus de 90 L'original d'un an a été peint avec la taille: 121 x 96 cm - frame: 154 x 130 x 10 cm - Glazed et a été peint avec le médium huile sur toile. The original artpiece has the following text as inscrption: "signed and dated lower left: LOVIS CORINTH / 1922; an earlier Signed top center, partially painted: [.] Lovis Cor / 19 [..]". Besides, this piece of art is included in the digital collection of BelvédèreL’ domaine public artpiece is supplied with courtesy of © Belvedere, Vienna, inventory number: 2446. Creditline of the artwork: purchase from Hugo Perls, Berlin in 1923. In addition to that, the alignment of the digital reproduction is portrait et a un rapport de côté de 1: 1.2, ce qui implique que la longueur est 20% plus courte que la largeur. The painter, sculptor, university teacher, graphic artist, drawer, lithographer Lovis Corinth was a European artist, whose artistic style was mainly Modern Art. The Modern painter lived for 67 ans et est né dans l'année 1858 in Gvardeysk, Kaliningradskaya Oblast�, Russia and deceased in the year 1925.

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