John Frederick Kensett, 1872 - Passing off of the Storm - tirage d'art

Détails du produit d'art

La 19th siècle œuvre d'art a été peinte par le Américaine peintre John Frédérick Kensett. La version de la peinture a été réalisée avec la taille: 11 3/8 x 24 1/2 po (28,9 x 62,2 cm). Huile sur toile was used by the North American painter as the medium of the artpiece. Furthermore, the artwork belongs to the digital collection of Le Metropolitan Museum of Art, qui est situé dans New York City, New York, États-Unis d'Amérique. Nous sommes heureux de mentionner que ce chef-d'œuvre, qui est dans le domaine public est fourni avec l'aimable autorisation de Le Metropolitan Museum of Art, New York, don de Thomas Kensett, 1874. De plus, l'œuvre d'art a la ligne de crédit suivante: Don de Thomas Kensett, 1874. L'alignement de la reproduction numérique est paysage d'été avec un rapport latéral de 2: 1, Ce qui signifie que la longueur est deux fois plus longue que la largeur. John Frederick Kensett was a painter, whose style can primarily be attributed to Romanticism. The North American painter was born in 1816 in Cheshire, New Haven county, Connecticut, United States and deceased at the age of 56 dès 1872.

Matériaux de produit sélectionnables

Nous proposons une gamme de différentes tailles et matériaux pour chaque produit. Sélectionnez votre taille et votre matériau préférés entre les préférences suivantes:

• Impression dibond en aluminium: Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Aluminium Dibond Print is your best introduction to fine prints with aluminum. For your Direct Print On Aluminum Dibond, we print your artwork right on the aluminium surface. The white & bright parts of the work of art shimmer with a silk gloss, however without any glow. The colors of the print are vivid and luminous, details appear crisp and clear. This UV print on aluminium is one of the most demanded entry-level products and is a modern way to showcase fine art prints, because it draws attention on the whole artwork.
• Toile: A canvas direct print is a printed cotton canvas stretched on a wood frame. How can I hang a canvas on the wall? Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without additional wall-mounts. A canvas print is suitable for any type of wall.
• L'impression d'affiche (matériau en toile): Our poster is a printed canvas with a slight structure on the surface, that reminds the actual version of the artwork. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing.
• Impression sur verre acrylique (avec revêtement en verre véritable): A glossy print on acrylic glass, which is sometimes described as a print on plexiglass, makes the original work of art into brilliant home decoration and offers a viable alternative to aluminium and canvas fine art replicas. With an acrylic glass art print contrasts and also minor image details will be identifiable due to the very subtle gradation in the print.

Important legal note: We try our utmost to describe our art products as accurate as possible and to exhibit them visually. Nevertheless, the pigments of the printed materials, as well as the imprint might diverge somehwat from the image on the screen. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that all art reproductions are printed and processed manually, there might also be minor discrepancies in the size and exact position of the motif.

À propos de l'article

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Aperçu des artistes

© Copyright par, Artprinta (www.artprinta.com)

Description originale par le Metropolitan Museum of Art (© - par le Metropolitan Museum of Art - www.metmuseum.org)

Inspired by his view from Contentment Island, near Darien, Connecticut, "Passing Off of the Storm" is a masterful example of the artist’s series known as his “Last Summer’s Work.” Kensett chose an unusually wide format for the small painting and provided no framing devices to mark the edges of the composition. Showing extreme sensitivity to gradations of tone, he applied broad areas of pure color interrupted only by subtle brushstrokes, such as those representing four diagonal reeds or markers in the left half of the canvas, a rowboat in the foreground, a tiny island, several white sailboats, and a very slight white wave or reflection on the otherwise placid surface of the water.