Jan Mostaert, 1510 - Le Christ montré au peuple - tirage d'art

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L'offre de produits d'art

C'est fini 510 une œuvre d'art vieille de plusieurs années a été créée par renaissance du nord maître Jan Mostaert. Le plus 510 La création originale d'un an mesure la taille: Dans l'ensemble 12 x 8 7/8 po (30,5 x 22,5 cm); surface peinte 11 1/2 x 8 1/4 in (29,2 x 21 cm) et a été conçu avec le technique of oil on wood. This piece of art is in the the The Metropolitan Museum of Art's art collection. The art classique public domain artpiece is being included with courtesy of The Metropolitan Museum of Art, New York, The Jack and Belle Linsky Collection, 1982. Additionally, the work of art has the following creditline: The Jack and Belle Linsky Collection, 1982. In addition to that, the alignment of the digital reproduction is portrait et a un rapport hauteur / largeur de 1: 1.4, Ce qui signifie que la longueur est 29% plus courte que la largeur. Jan Mostaert was a Netherlandish painter, whose art style can mainly be classified as Northern Renaissance. The Northern Renaissance artist lived for 58 years - born in 1498 and died in the year 1556.

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In the product dropdown selection you can select a material and a sizeaccording to your personal preferences. Pick your favorite size and material among the following options:

  • Toile: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. A canvas produces the typical effect of three-dimensionality. A printed canvas generates a nice and pleasing effect. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang the Canvas print without extra wall-mounts. Because of thatcanvas prints are suited for any type of wall.
  • Aluminium dibond (impression métallique): An Aluminium Dibond print is a print material with a true depth - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is the excellent start to fine art reproductions with aluminum. For our Aluminium Dibond option, we print your chosen artwork onto the surface of the white-primed aluminum.
  • L'impression d'affiche (matériel de toile): The poster is a UV printed canvas paper with a granular finish on the surface. It is used for framing the fine art print with a special frame. Please note, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the artwork, which facilitates the framing.
  • L'impression sur verre acrylique: A glossy print on acrylic glass, often denoted as a plexiglass print, makes your favorite original artwork into brilliant décor and is a distinct alternative option to dibond or canvas art prints. The acrylic glass protects your selected art replica against sunlight and heat for between 4 and 6 decades.

Note légale importante: We try everything to depict the art products as accurately as possible and to exhibit them visually. Please bear in mind that the tone of the printed materials and the imprint might vary marginally from the representation on the device's monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed as exactly as the digital version. Given that our fine art prints are processed and printed by hand, there may as well be minor differences in the size and exact position of the motif.

Le produit

Catégorisation des articles: tirage d'art
La reproduction: reproduction numérique
Technique de fabrication: Impression directe UV
Origine du produit: Fabriqué en Allemagne
Type de stock: production à la demande
Utilisation du produit: décoration murale, galerie murale
Alignement: alignement portrait
Rapport d'aspect de l'image: 1: 1.4 (longueur Largeur)
Implication du rapport latéral: la longueur est 29% plus courte que la largeur
Matériel de reproduction disponible: impression sur toile, impression sur verre acrylique (avec revêtement en verre véritable), impression d'affiche (papier de toile), impression métallique (aluminium dibond)
Impression sur toile (toile sur châssis brancard): 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55"
Variantes d'impression sur verre acrylique (avec revêtement en verre véritable): 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55"
Options d'impression d'affiche (papier de toile): 50x70cm - 20x28 "
Impression dibond en aluminium (matériau en aluminium): 50 x 70 cm - 20 x 28 ", 100 x 140 cm - 39 x 55"
Cadre: pas disponible

Table structurée de l'œuvre d'art

Titre de l'oeuvre: "Christ Shown to the People"
Classement de l'oeuvre: peinture
Terme générique: art classique
Classification temporelle: 16th siècle
Créé en: 1510
Âge de l'oeuvre: autour 510 ans
Support d'origine: huile sur bois
Format original: Dans l'ensemble 12 x 8 7/8 po (30,5 x 22,5 cm); surface peinte 11 1/2 x 8 1/4 in (29,2 x 21 cm)
Musée / collection: Le Metropolitan Museum of Art
Lieu du musée: New York City, New York, États-Unis d'Amérique
Site Web du musée: Le Metropolitan Museum of Art
Type de licence: domaine public
Avec l'aimable autorisation de: Le Metropolitan Museum of Art, New York, The Jack and Belle Linsky Collection, 1982
Ligne de crédit de l'oeuvre: Collection Jack et Belle Linsky, 1982

Informations générales sur l'artiste

Nom d'artiste: Jan Mostaert
Alias: Mossert, Sinapius Joannes, Joannes Sinapius, Mostaert Jan, Jan Mostaert, Beschryving van Haarlem, Mostert, mostaert jan, Mostaert, Mostaert Joannes Sinapius, Schrevelius Jan, Mostaert Jansz.
Genre: mâle
Nationalité de l'artiste: Néerlandais
Professions de l'artiste: Peintre néerlandais
Pays de l'artiste: Pays-Bas
Classement des artistes: vieux maitre
Styles de l'artiste: Renaissance du Nord
Vie: 58 ans
Née: 1498
Décédés: 1556

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Description générale par le Metropolitan Museum of Art (© Copyright - Le Metropolitan Museum of Art - Le Metropolitan Museum of Art)

Perhaps part of a diptych, the panel depicts Pilate presenting Christ to the Hebrews for judgment. In keeping with its devotional function, Mostaert places the main figures close to the picture plane, showing them only half length. The dialogue of hands and the insertion of the Virgin, who has fainted in grief, between the foreground figures, contribute to the expressive force.

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