Jan Steen, 1654 - The Fortune Teller - tirage d'art

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M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010

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• L'impression sur toile: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It makes the particular effect of three dimensionality. Furthermore, a canvas print produces a attractive and comfortable impression. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of any wall-mounts. A canvas print is suitable for any kind of wall in your house.
• Verre acrylique imprimé avec un effet brillant: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes your favorite original work of art into beautiful wall décor. Your favorite work of art is being manufactured with the help of modern UV direct print machines. The effect of this are impressive, vibrant color tones.
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Le diseur de bonne aventure was by Jan Steen in 1654. The original version measures the size: hauteur: 73,5 cm largeur: 59,7 cm | hauteur: 28,9 po largeur: 23,5 po. Huile sur toile was used by the European painter as the medium of the artwork. The original artwork's inscription is - "signed: J. Steen". It is included in the Mauritshuis digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are happy to mention that the public domain masterpiece is supplied with courtesy of Mauritshuis, La Haye. : M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010. Further, the alignment is in portrait le format et a un rapport de 1: 1.2, ce qui signifie que la longueur est 20% plus courte que la largeur. Jan Steen was a male painter from the Netherlands, whose artistic style can be attributed mainly to Baroque. The European painter was born in the year 1626 à Alkmaar, Hollande du Nord, Pays-Bas et est décédé à l'âge de 53 dans l'année 1679.

Mentions légales: We try our best in order to depict our art products as closely as we can and to demonstrate them visually in our shop. Although, the pigments of the printed materials and the imprint can differ slightly from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Because the fine art prints are processed and printed by hand, there may as well be minor discrepancies in the size and exact position of the motif.

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