Andreas Schelfhout, 1844 - Vue de Haarlem - tirage d'art
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Données du produit
C'est plus que 170 years old masterpiece was painted by Andreas Schelfhout. The work of art is in the the digital art collection of Rijksmuseum, which is the largest museum for Dutch art and history from the Middle Ages to the present day. We are pleased to state that the artwork, which belongs to the domaine public est fourni avec l'aimable autorisation de Rijksmuseum.Creditline de l'oeuvre:. L'alignement est en paysage le format avec un ratio de 4: 3, ce qui signifie que la longueur est 33% plus longue que la largeur. The painter Andreas Schelfhout was an artist, whose artistic style can be attributed mainly to Impressionism. The artist was born in 1787 à La Haye, Hollande méridionale, Pays-Bas et est décédé à l'âge de 83 en 1870 à La Haye, Hollande méridionale, Pays-Bas.
Les choix de matériaux
In the dropdown selection next to the product offering you can pick the size and material of your choice. You can choose your favorite material and size among the following options:
- Métal (impression dibond en aluminium): An Aluminium Dibond print is a material with an outstanding effect of depth. The non-reflective surface structure make a contemporary impression. The Aluminium Dibond Print is the perfect introduction to art reproductions produced on aluminum. For our Print On Aluminum Dibond, we print the favorite artwork right onto the aluminium composite white-primed surface. The white and bright sections of the artpiece shimmer with a silk gloss but without the glare.
- Verre acrylique imprimé (avec revêtement en verre véritable sur le dessus): An acrylic glass print, often referenced as a print on plexiglass, transforms an artwork into magnificient wall décor. Besides, the acrylic glass print forms a good alternative to dibond or canvas prints. The work of art will be made with modern UV print technology. Our acrylic glass protects your chosen fine art print against light and heat for many decades.
- Impression d'affiche (matériel de toile): A poster print is a UV printed canvas paper with a nice structure on the surface. The print poster is qualified for putting the art replica using a special frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the artwork to facilitate the framing with your custom frame.
- Toile: The printed canvas, which should not be confused with a canvas painting, is a digital image printed on a UV direct printing machine. The canvas makes a lovely and pleasing atmosphere. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the use of additional wall-mounts. That is why, canvas prints are suitable for all types of walls.
Avertissement: We try everythig possible in order to describe the art products as accurate as possible and to exhibit them visually on the different product detail pages. Still, the pigments of the print products, as well as the print result can differ to a certain extent from the presentation on the device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed as realistically as the digital version depicted here. Since the fine art prints are processed and printed by hand, there may also be slight differences in the motif's exact position and the size.
À propos de l'article
Produit d'impression: | tirage d'art |
Méthode de reproduction: | reproduction numérique |
Processus de fabrication: | Impression directe UV (impression numérique) |
Fabrication: | produit en Allemagne |
Type de stock: | production à la demande |
Utilisation prévue du produit: | mur de la galerie, collection d'art (reproductions) |
Orientation de l'image: | format paysage |
Rapport d'image: | 4: 3 - (longueur: largeur) |
Interprétation du rapport hauteur / largeur de l'image: | la longueur est 33% plus longue que la largeur |
Matériaux de produit disponibles: | impression sur toile, impression sur verre acrylique (avec revêtement en verre véritable), impression sur métal (aluminium dibond), affiche (papier de toile) |
Options de taille de toile sur châssis de civière (impression sur toile): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47" |
Impression sur verre acrylique (avec revêtement en verre véritable): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47" |
Impression d'affiches (papier canevas): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Variantes de taille d'impression en aluminium: | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Encadrement de la copie d'art: | non inclus |
Détails des illustrations structurées
Titre de l'oeuvre: | "View of Haarlem" |
Catégorisation des œuvres: | peinture |
Catégorie générale: | l'art moderne |
Temps: | 19th siècle |
Créé en: | 1844 |
Âge de l'oeuvre: | autour 170 ans |
Musée / emplacement: | Rijksmuseum |
Emplacement du musée: | Amsterdam, Pays-Bas |
Page Web du musée: | Rijksmuseum |
Licence d'illustration: | domaine public |
Avec l'aimable autorisation de: | Rijksmuseum |
Informations générales sur l'artiste
Artistes: | Andréas Schelfhout |
Alias: | Schelfhout Andries, Schelfhout, Schelfont, Andreas Schelshout, Schelfrout, A. Schelfout, Andreas Schelfont, Shelfont, Schelfout, Schlefhout, Schelshout, schelfhout andreas, A. Schelfhout, Andreas Schelfout, andres shelfhout, Schelfhoud, A. Schelfhouet, Andreas Schelfhout, Schelfhout Andreas, Andreas Shelfont, Schelfout Andreas |
Sexe de l'artiste: | mâle |
Nationalité: | Néerlandais |
Travaux de l'artiste: | peintre |
Pays d'origine: | Pays-Bas |
Catégorie d'artiste: | artiste moderne |
Styles d'art: | Impressionnisme |
Âge au décès: | 83 ans |
Née: | 1787 |
Lieu de naissance: | La Haye, La, Hollande méridionale, Pays-Bas |
Décédés: | 1870 |
Décédé à (lieu): | La Haye, La, Hollande méridionale, Pays-Bas |
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Informations supplémentaires de Rijksmuseum site de NDN Collective (©- Rijksmuseum - Rijksmuseum)
The 17th-century landscapist Jacob van Ruisdael enjoyed painting views of Haarlem from the dunes. Schelfhout was inspired by Ruisdael’s work for this panorama of the dunes near Haarlem, with the ruins of Brederode Castle in the foreground. Not only did he paint in a 17th-century manner, this subject matter, the countryside around Haarlem, was also considered in the Romantic era to be ultra-Dutch and ‘historical’.