Gerard ter Borch, 1665 - Portrait de femme - tirage d'art

Résumé de la réplique

Ce art classique oeuvre appelée Portrait d'une femme a été peint par le baroque artist Gerard ter Borch. The original had the following size - Encadré: 87,5 x 77 x 7 cm (34 7/16 x 30 5/16 x 2 3/4 in); Sans cadre: 63,3 x 52,7 cm (24 15/16 x 20 3/4 po) et a été peint sur le support huile sur toile. Cela fait partie du Le musée d'art de Cleveland collection d'art numérique, située dans Cleveland, Ohio, États-Unis d'Amérique. Nous sommes heureux de mentionner que ce domaine public masterpiece is being provided with courtesy of The Cleveland Museum of Art. Creditline of the artwork: The Elisabeth Severance Prentiss Collection. On top of that, alignment of the digital reproduction is portrait and has a ratio of 1: 1.2, meaning that the length is 20% shorter than the width. Gerard ter Borch was a painter, whose art style can primarily be assigned to Baroque. The artist lived for 64 years, born in the year 1617 et décédé en 1681.

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Nous proposons une gamme de tailles et de matériaux différents pour chaque produit. Nous vous permettons de choisir votre taille et votre matériau préférés parmi les options d'individualisation de produit suivantes:

• Aluminium dibond (impression métallique): This is a metal print manufactured on aluminium dibond material with an impressive depth effect. The Aluminium Dibond Print is your best introduction to art prints made with aluminum. For your Aluminium Dibond print, we print the selected work of art right onto the aluminium white-primed surface. The white & bright components of the original work of art shimmer with a silky gloss but without glare. Colors are bright and vivid in the highest definition, the details appear crisp and clear, and you can notice a matte appearance of the product.
• Impression sur toile: A canvas print, which shall not be mistaken with a painting on a canvas, is a digital copy printed directly on cotton canvas material. Your canvas of your favorite artwork will provide you with the opportunity of transforming your new art print into a large size work of art. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang up your Canvas print without the help of extra wall-mounts. A canvas print is suitable for any kind of wall.
• L'impression d'affiche (matériel de toile): Our poster is a printed canvas paper with a slightly roughened surface texture, that reminds the original masterpiece. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6 cm round about the painting in order to facilitate the framing.
• Impression sur verre acrylique (avec revêtement en verre véritable sur le dessus): The acrylic glass print, which is sometimes labelled as a UV print on plexiglass, will convert your favorite original artwork into wonderful home décor. Furthermore, the acrylic print forms a distinct alternative option to canvas or aluminium dibond fine art prints. The artwork is custom-made with the help of state-of-the-art UV print machines. With an acrylic glass art print contrasts and small painting details become exposed because of the very fine tonal gradation in the picture. The plexiglass with real glass coating protects your chosen art replica against light and external influences for many years to come.

Informations importantes: We try whatever we can in order to depict the products as precisely as possible and to display them visually. Nonetheless, the colors of the print products, as well as the print result may differ marginally from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments will be printed as realistically as the digital version. Bearing in mind that all our fine art prints are processed and printed by hand, there may also be slight discrepancies in the motif's size and exact position.

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Every detail of his subject’s elaborate costume is skillfully recorded: glittering jewels, filmy lace, knots of ribbons, heavy black silk, and shimmering white satin. The ability to recreate satin’s luster was Gerard ter Borch’s particular trademark: he used fine flicks and sweeps of the brush, occasionally adding and wiping away tiny bits of paint to make the white fabric appear to shine. Ter Borch offset the profusion of costume detail by deliberately isolating the figure within a spare setting, allowing us to appreciate the woman’s cool composure. Although her identity is not known, she was undoubtedly a member of the wealthy Dutch elite.