Theodor Philipsen, 1890 - Longues ombres. Bovins sur l'île de Saltholm - tirage d'art

39,99 €

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Informations générales sur le produit

Ce l'art moderne œuvres d'art De longues ombres. Bovins sur l'île de Saltholm a été peint par l'artiste Théodore Philipsen. Aujourd'hui, cette oeuvre peut être vue dans la collection de Musée Statens pour Kunst (Galerie nationale du Danemark) à Copenhague, Danemark. Avec l'aimable autorisation de Galerie nationale du Danemark (sous licence - domaine public).Creditline de l'oeuvre:. L'alignement de la reproduction numérique est paysage d'été et a un ratio de 4: 3, ce qui signifie que la longueur est 33% plus longue que la largeur.

General information by the museum (© Copyright - by Statens Museum for Kunst (National Gallery of Denmark) - Musée Statens pour Kunst (Galerie nationale du Danemark))

The short, brisk, richly coloured brushstrokes make the picture vibrate with light, colour, and atmosphere. Philipsen is not, however, an impressionist in the French sense of the concept. He was not interested in ”modern life”.

In his paintings, he almost turns his back on it in favour of the simple life within nature, often taking a form such as this almost transcendental tribute to the all-embracing power of light. The cows are not the real motif; that distinction belongs to the sun and the power of the sun.

The great innovator Whenever the history of Danish art is told, Philipsen is often assigned the role as the great innovator. From his starting point within the landscapes and animal pictures of the late Golden Age, he brought Danish art out of the smoke-filled salons and threw open the French doors to let in a far more modern mode of painting filled with light and colour.

Philipsen's impressionism Several factors contributed to Philipsen’s appropriation of Impressionism, including visits to the Impressionist exhibitions in Paris, his enjoyment of the Southern climate on travels in Spain and Italy, and – very importantly – his friendship with Paul Gauguin (1848-1903) during the mid-1880s. Philipsen’s originality stems from his ability to adapt and develop the Impressionist palette in accordance with the Danish countryside and climate.

Détails sur l'œuvre d'art

Nom de l'oeuvre: "Long Shadows. Bovins sur l'île de Saltholm"
Classification: peinture
Classification artistique: l'art moderne
Temps: 19th siècle
Année de création: 1890
Âge de l'oeuvre: âgé de plus de 130 ans
Musée / emplacement: Musée Statens pour Kunst (Galerie nationale du Danemark)
Emplacement du musée: Copenhague, Danemark
Site Web : Musée Statens pour Kunst (Galerie nationale du Danemark)
Type de licence d'illustration: domaine public
Avec l'aimable autorisation de: Galerie nationale du Danemark

Informations sur l'artiste

Nom : Théodore Philipsen
Sexe de l'artiste: mâle
Nationalité: Danois
Professions de l'artiste: peintre
Pays : Danemark
Classification: artiste moderne
Durée de vie: 80 ans
Année de naissance: 1840
Né à (lieu): Copenhague
Année de mort: 1920
Lieu du décès: Copenhague

Les options matérielles

In the product dropdown selection you can pick the material and sizeaccording to your preferences. You can choose your your favorite size and material among the following options:

  • Impression d'affiche (matériau en toile): The poster is a UV printed canvas with a nice structure on the surface, that reminds the original version of the artwork. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm round about the artwork, which facilitates the framing.
  • L'impression sur toile: The canvas print is a printed canvas stretched on a wooden frame. Your printed canvas of your favorite masterpiece will give you the chance to transform your very own fine art print into a large size collection piece as you would see in a gallery. A canvas print has the advantage of being relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. That is why, a canvas print is suited for any type of wall.
  • Impression sur verre acrylique brillant (avec revêtement en verre véritable): The acrylic glass print, often labelled as a print on plexiglass, transforms an original artwork into beautiful home décor. Our plexiglass with real glass coating protects your custom art replica against light and external influences for several decades.
  • Impression dibond en aluminium: These are metal prints on aluminium dibond with a true depth. The Aluminium Dibond Print is the best start to fine art prints on aluminum. The bright and white parts of the original artpiece shine with a silk gloss but without glow. The colors are luminous in the highest definition, the details appear very clear, and you can perceive the matte appearance.

Le produit

Type d'article: l'art pariétal
Méthode de reproduction: reproduction numérique
Processus de production: impression numérique
Provenance: fabriqué en Allemagne
Type de stock: production à la demande
Utilisation prévue du produit: galerie d'art, galerie murale
Alignement de l'image: alignement du paysage
Rapport d'image: longueur en largeur 4: 3
Implication du rapport latéral: la longueur est 33% plus longue que la largeur
Options disponibles: impression sur verre acrylique (avec revêtement en verre véritable), impression d'affiche (papier de toile), impression en métal (aluminium dibond), impression sur toile
Toile sur châssis de civière (impression sur toile): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47"
Impression sur verre acrylique (avec revêtement en verre véritable): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47"
Options d'impression d'affiche (papier de toile): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 "
Impression dibond en aluminium (matériau en aluminium): 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 "
Cadre: reproduction sans cadre

Legal disclaimer: We try everythig possible in order to describe our art products as exact as it is possible and to demonstrate them visually on the different product detail pages. Nevertheless, the pigments of the printed materials and the print result might differ somehwat from the image on your device's screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that all are processed and printed manually, there might as well be minor variations in the exact position and the size of the motif.

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