Joseph Wright, 1779 - La tombe de Virgile au clair de lune, avec Silius Italicus Declaiming - tirage d'art

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Virgil's Tomb by Moonlight, with Silius Italicus Declaiming was created by Joseph Wright. The original creation was made with the dimensions: 40 x 50 pouces (101,6 x 127 cm). Oil on canvas was used by the British artist as the technique for the artpiece. Furthermore, the piece of art is included in the Le Metropolitan Museum of Art's collection d'art numérique. Ce domaine public chef-d'œuvre est fourni avec l'aimable autorisation de The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace Gift, Gifts of Mrs. William M. Haupt, Josephine Bay Paul, and Estate of George Quackenbush, in his memory, by exchange, The Morris and Alma Schapiro Fund Gift, and funds from various donors, 2013. Ligne de crédit de l'œuvre: Purchase, Lila Acheson Wallace Gift, Gifts of Mrs. William M. Haupt, Josephine Bay Paul, and Estate of George Quackenbush, in his memory, by exchange, The Morris and Alma Schapiro Fund Gift, and funds from various donors, 2013. En plus de cela, l'alignement de la reproduction numérique est paysage d'été et a un rapport hauteur / largeur de 1.2: 1, ce qui signifie que la longueur est 20% plus longue que la largeur. The painter Joseph Wright was an artist from the United Kingdom, whose style can be classified as Baroque. The Baroque painter was born in the year 1734 in Bordentown, Burlington county, New Jersey, United States and passed away at the age of 63 dans l'année 1797.

Matériaux disponibles

Nous proposons une gamme de matériaux et de tailles variés pour chaque produit. Afin de correspondre parfaitement à vos besoins personnels, vous pouvez choisir parmi les options de personnalisation de produit suivantes:

• Impression d'affiche (matériau en toile): A poster print is a printed canvas paper with a fine texture on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm round about the artwork in order to facilitate the framing with your custom frame.
• Aluminium dibond (impression métallique): This is a metal print made on aluminium dibond material with a true depth. The white and bright parts of the original artpiece shimmer with a silk gloss but without any glow. The colors are luminous in the highest definition, the fine details appear very clear.
• Impression sur toile: The canvas print is a printed cotton canvas mounted on a wooden stretcher. What is more, canvas print generates a charming and pleasing atmosphere. Hanging your canvas print: Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
• Verre acrylique imprimé: An acrylic glass print, often denoted as a print on plexiglass, will convert the original work of art into wonderful wall decoration. The artwork is custom-made with the help of modern UV direct print technology. The result of this are vibrant and stunning color tones.

Mentions légales: We try to describe the art products as accurate as possible and to showcase them visually. However, the tone of the printed materials, as well as the printing can differ marginally from the presentation on the monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Given that all art prints are printed and processed manually, there might as well be slight deviations in the motif's size and exact position.

Détails des éléments structurés

Détails structurés de l'œuvre d'art

Informations générales sur l'artiste

Droits d'auteur © - www.artprinta.com (Artprinta)

Spécifications des œuvres d'art par le Metropolitan Museum of Art (© - par le Metropolitan Museum of Art - Le Metropolitan Museum of Art)

Wright depicts a site that had long been a popular destination for visitors to Naples. Indeed he could reasonably expect that Londoners who viewed this painting at the Royal Academy in 1779 would recognize the tomb of Virgil (70–19 B.C.), author of the Aeneid. Perhaps more obscure is the figure, Silius Italicus, the Roman orator who commemorated the anniversary of the great poet’s death each year by reading his verses aloud within the tomb. As a meditation on mortality, Wright fittingly contrasts the flickering glow of the lantern and the silvery moonlight spreading over the landscape.