Giovanni Battista Tiepolo, 1725 - La capture de Carthage - tirage d'art

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The artwork "The Capture of Carthage" was created by Giovanni Battista Tiepolo in 1725. The over 290 year-old original measures the size of Irregular painted surface, 162 x 148 3/8 in (411,5 x 376,9 cm). Huile sur toile was used by the Italian artist as the technique for the piece of art. It is in the the Le Metropolitan Museum of Art's collection, qui se trouve dans New York City, New York, États-Unis d'Amérique. L'œuvre d'art classique, qui se trouve dans le domaine public est inclus avec l'aimable autorisation de Le Metropolitan Museum of Art, New York, Rogers Fund, 1965. : Rogers Fund, 1965. Further, the alignment is in portrait le format avec un rapport hauteur / largeur de 1: 1.2, which means that the length is 20% shorter than the width. The painter, printmaker Giovanni Battista Tiepolo was an artist from Italy, whose artistic style was primarily Rococo. The Rococo painter was born in 1696 à Venise, province de Venise, Vénétie, Italie et est décédé à l'âge de 74 ans en 1770.

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• Impression dibond en aluminium: Aluminium Dibond prints are metal prints with an outstanding effect of depth, creating a modern look throuch a non-reflective surface structure. The Direct Print on Aluminum Dibond is your ideal introduction to the sophisticated world of replicas made with aluminum.
• Toile: A canvas print, not to be mistaken with a canvas painting, is a digital image printed on a UV direct printing machine. A canvas produces a extra effect of three-dimensionality. Besides, canvas print generates a cosy and comfy appearance. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the help of additional wall-mounts. Therefore, canvas prints are suited for any kind of wall.
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This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca’ Dolfin, Venice. The subject has been variously identified. It probably shows the capture of Carthage by Cornelius Scipio Aemilianus (known as Scipio Africanus the Younger) in 146 B.C., a momentous event that categorically ended the power of Carthage. The carnage was unspeakable and the city burned for seventeen days. The depiction of this event probably carried an allusion to the recent campaigns of the Venetians against the Turks in the Mediterranean, and in particular to the participation of Daniele Dolfin.