Rembrandt van Rijn - Homme à la barbe - tirage d'art

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In the dropdown selection next to the product you can select the size and material of your choice. Therefore, we allow you to choose among the following options:

• Aluminium dibond (impression métallique): An Aluminium Dibond print is a print with an impressive effect of depth. Its non-reflective surface structure creates a contemporary look. The white & bright parts of the original artwork shimmer with a silky gloss but without any glow. Colors are luminous, the fine details of the print appear clear and crisp. This print on aluminium is one of the most demanded entry-level products and is an extremely stylish way to showcase art reproductions, as it puts the viewer’s attention on the image.
• Impression sur verre acrylique (avec revêtement en verre véritable): The acrylic glass print, which is often described as a print on plexiglass, will transform the original artwork into brilliant home decoration. The major benefit of a plexiglass fine art print is that contrasts and also smaller image details will be recognizeable due to the very subtle tonal gradation.
• L'impression d'affiche (matériau en toile): The poster is a UV printed flat canvas paper with a slightly roughened texture on the surface. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6 cm round about the painting in order to facilitate the framing with your custom frame.
• Impression sur toile: The canvas print is a printed cotton canvas stretched on a wood stretcher. It generates a particular look of three dimensionality. Besides, printed canvas produces a soft and comfortable effect. A canvas of your favorite artwork will let you turn your into a large size work of art. How can I hang a canvas on the wall? A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suited for any type of wall.

Avertissement: We try whatever we can in order to depict the products as accurately as possible and to illustrate them visually in our shop. Still, the tone of the print products, as well as the print result can vary to a certain extent from the presentation on the screen. Depending on your screen settings and the quality of the surface, colors might not be printed one hundret percent realistically. In view of the fact that all our are processed and printed by hand, there may as well be slight deviations in the motif's exact position and the size.

Description générale fournie par le musée (© Copyright - par le Metropolitan Museum of Art - Le Metropolitan Museum of Art)

Though generally accepted by Rembrandt scholars until about 1940, this canvas was considered an eighteenth-century imitation by F. Schmidt-Degener in 1935. Supporting this view is the sketchy execution, which is superficially similar to that found in Rembrandt's "study heads" painted on a much smaller scale; the light chalk ground and the man's collar appears fancifully to adopt an older Dutch form. The palette, the loose brushwork, and the frontal presentation of the figure recall Rembrandt's style of about 1665. The date is inscribed on the picture, but the simple application of parallel brushstrokes, resulting in flat and insubstantial forms, the awkwardly abrupt contrasts of light and shade, and, finally, the absence of any convincing indication of personality or thought are entirely alien to the master's mature manner. Quite a few Rembrandt imitations and forgeries date from the eighteenth century in England, where this painting was first recorded in the collection of Sir William Knighton (died 1836)

L'œuvre d'art avec le titre Homme à la barbe comme votre propre copie d'art

"Man with a Beard" is an artwork made by Rembrandt van Rijn. The original measures the size: 28 7/8 x 25 1/4 po (73,3 x 64,1 cm) and was painted with oil on canvas. Furthermore, the piece of art can be viewed in in the art collection of Le Metropolitan Museum of Art. Avec l'aimable autorisation de: The Metropolitan Museum of Art, New York, Collection Marquand, don d'Henry G. Marquand, 1889 (domaine public). The creditline of the artpiece is the following: Marquand Collection, Gift of Henry G. Marquand, 1889. The alignment of the digital reproduction is portrait et a un rapport d'image de 1: 1.2, ce qui signifie que la longueur est 20% plus courte que la largeur. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose style can be classified as Baroque. The Dutch artist lived for a total of 63 years, born in 1606 à Leyde et décédé en 1669.

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