Cornelis van der Meulen, 1686 - Gustav (1683-85), prince de Suède, fils du roi Karl XI - tirage d'art

Détails du produit

C'est plus que 330 œuvre d'art vieille d'un an intitulée Gustav (1683-85), Prince of Sweden, Son of King Karl XI a été peint par Cornelis van der Meulen. L'œuvre d'art a été faite avec la taille: Hauteur: 60,5 cm (23,8 ″); Largeur: 48,5 cm (19 ″) Encadré: Hauteur: 68 cm (26,7 ″); Largeur: 56 cm (22 ″); Profondeur: 5,5 cm (2,1 ″). Oil on canvas was applied by the painter as the technique for the masterpiece. Besides, the artwork is included in the art collection of Nationalmuseum Stockholm, qui est situé dans Stockholm, Comté de Stockholm, Suède. Avec l'aimable autorisation de - Nationalmuseum Stockholm & Wikimedia Commons (licence du domaine public).Creditline de l'oeuvre:. De plus, l'alignement de la reproduction numérique est en portrait format et a un rapport d'image de 1: 1.2, ce qui signifie que la longueur est 20% plus courte que la largeur.

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In the dropdown lists next to the product you can pick a material and a size of your choice. Thus, we allow you to choose among the following options:

• Toile: The UV printed canvas mounted on a wood stretcher frame. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
• L'impression d'affiche (matériel de toile): Les Artprinta poster is a UV printed cotton canvas paper with a fine surface texture, which resembles the original version of the artwork. A poster print is suited for putting your fine art print with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm around the print, which facilitates the framing with a custom frame.
• Impression dibond en aluminium: Aluminium Dibond prints are metal prints with an outstanding depth. The bright and white parts of the artpiece shimmer with a silky gloss, however without glare. The colors are bright and luminous in the highest definition, fine details appear very clear, and there’s a matte look that you can literally feel.
• Verre acrylique imprimé: An acrylic glass print, which is often described as a UV print on plexiglass, will convert your favorite artwork into beautiful décor. The artwork is being made thanks to the help of state-of-the-art UV printing technology. The image effect of this are and vivid colors. The acrylic glass protects your custom art print against sunlight and external influences for many more years to come.

Informations importantes: We try everything to describe the art products in as much detail as possible and to display them visually on the product detail pages. Although, the pigments of the print products, as well as the printing may diverge marginally from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all colors can be printed as realistically as the digital version on this website. Considering that all the fine art prints are processed and printed by hand, there may also be slight variations in the exact position and the size of the motif.

Détails de l'article structuré

Détails structurés de l'œuvre d'art

Métadonnées contextuelles de l'artiste

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What does the website of the Nationalmuseum Stockholm write about this artwork made by Cornelis van der Meulen? (© - Musée national de Stockholm - Nationalmuseum Stockholm)

1685 fick Cornelis van der Meulen i uppdrag av änkedrottning Hedvig Eleonora att utföra porträtt hennes båda avlidna söner prinsarna Gustav och Ulrik. Porträttet av prins Gustav, som dog när han endast var två år gammal, kan uppfattas på flera olika plan. Det kan betraktas som en trompe l'oeil målning med Nicolaes Millichs byst av prinsen i bildens centrum. Det kan också ses som ett vanitasstilleben, där föremålen som omger portätt har en symbolisk mening. Snäckan och såpbubblorna kan kopplas till Homo bulla-ikonografin där livets livets bräcklighet jämförs med såpbubblornas kortvarighet. Vanitassymboliken har sina rötter i antiken vilket understryks av bystens karaktär, som påminner om en romersk barnkejsare. Det finns även en antydan till hopp bland alla metaforerna i form av den lagerkrönta dödsskallen som är en försäkran om prinsens seger i ett kommande liv. Kopia