Elias Martin, 1780 - Paysage romantique avec épicéa - tirage d'art

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Ce art classique une œuvre d'art Romantic Landscape with Spruce a été faite par le mâle Suédois artist Elias Martin. The version of the artwork measures the size: Hauteur: 115 cm (45,2 ″); Largeur: 89 cm (35 ″) Encadré: Hauteur: 131 cm (51,5 ″); Largeur: 106 cm (41,7 ″); Profondeur: 9 cm (3,5 ″). This work of art can be viewed in in the Nationalmuseum Stockholm's digital art collection, which is located in Stockholm, Stockholm County, Sweden. With courtesy of - Nationalmuseum Stockholm et Wikimedia Commons (public domain license).Additionally, the artwork has the following creditline: . The alignment is in portrait le format avec un rapport d'image de 3: 4, ce qui signifie que la longueur est 25% plus courte que la largeur.

What does the website of the Nationalmuseum Stockholm write about this 18th century work of art painted by Elias Martin? (© Copyright - Nationalmuseum Stockholm - www.nationalmuseum.se)

English: A large pine tree dramatically leans into the picture and points towards the high cliffs in the background. In the sky, dark clouds clash as sunlight forces its way through the shrouds of fog. Through the use of the light and haze, the artist attempts to depict the power of the wild, mountainous landscape. This picture was painted by Elias Martin. In the 1760s and 70s, he spent a total of twelve years in England. During this period, English landscape art experienced a golden age – artists such as Thomas Gainsborough and Richard Wilson strove to capture the typical English nature on canvas. They were fascinated by the wild and free landscape and this lead to the emergence of a new landscape tradition that differed radically from the classicistic, idealized landscape of southern Europe that Claude Lorrain, among others, had established. This painting shows how strongly Martin had been influenced by his contemporary English colleagues. The painting, most likely painted upon his return to Sweden in 1780 – is an exquisite example of the period’s new interest for wild and untamed nature. The sprawling pine, the rapids, and the inhospitable, shear cliffs, differ markedly from the idyllic or pastoral renditions of nature that, up till then, had dominated landscape art. Have you discovered the people in the picture yet? In the gloom to the left of the pine tree, a figure can be seen, standing in front of a small cabin. Here, Martin strives to depict the experience of the sublime - that is, man’s smallness in relation to nature’s overwhelming power. The sublime became a central theme in the romantic landscape art of the 1800s. For Martin, the experience of the sublime was linked to a Christian, religious experience of nature. Upon describing his paintings or experiences of nature, Martin’s choice of words was often religion-inspired, and in the face of a landscape and the forces of nature, he felt the presence of God. En stor gran lutar sig dramatiskt in i bilden och pekar upp mot de höga klipporna i bakgrunden. På himlen tränger solen fram mellan dimslöjor och mörka moln. Genom det dramatiska ljuset försöker konstnären fånga kraften i det vilda klipplandskapet. Efter tolv år i England återvände Elias Martin 1780 hem till Sverige. Den här målningen tillkom vid den tiden och vittnar om intryck från den samtida brittiska landskapskonsten. Ett nytt intresse för den otämjda naturen spelade där en framträdande roll.

Informations sur les illustrations structurées

Titre de l'œuvre d'art: "Romantic Landscape with Spruce"
Classification de l'oeuvre: peinture
Terme générique: art classique
Période: 18th siècle
Année de l'oeuvre: 1780
Âge approximatif de l'oeuvre: 240 ans
Dimensions originales de l'oeuvre: Hauteur: 115 cm (45,2 ″); Largeur: 89 cm (35 ″) Encadré: Hauteur: 131 cm (51,5 ″); Largeur: 106 cm (41,7 ″); Profondeur: 9 cm (3,5 ″)
Musée / collection: Nationalmuseum Stockholm
Lieu du musée: Stockholm, Comté de Stockholm, Suède
Page Web du musée: www.nationalmuseum.se
Licence: domaine public
Avec l'aimable autorisation de: Nationalmuseum Stockholm et Wikimedia Commons

L'artiste

Nom d'artiste: Élias Martin
Noms alternatifs: Martin, Martin of Bath, Martin Elias, Elias Martin, Martyn, Martyn Elias, Elias Martin of Bath
Sexe de l'artiste: mâle
Nationalité de l'artiste: Suédois
Professions de l'artiste: peintre
Pays : Suède
Classement des artistes: vieux maitre
Décédé à l'âge de: 79 ans
Année de naissance: 1739
Année de décès: 1818

Matériaux que nos clients peuvent choisir

For every fine art print we offer different materials & sizes. Select your preferred material and size among the subsequent options:

  • L'impression sur toile: A printed canvas, not to be mistaken with a canvas painting, is an image printed onto canvas fabric. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. Hence, a canvas print is suited for any type of wall.
  • Affiche (matériel de toile): The poster is a UV printed flat canvas with a granular texture on the surface, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the print, which facilitates the framing with your custom frame.
  • Impression sur verre acrylique (avec revêtement en verre véritable): An print on acrylic glass, often denoted as a print on plexiglass, makes your favorite original into décor and makes a good alternative option to aluminium or canvas fine art replicas. Your favorite artwork will be custom-made thanks to the help of modern UV print technology. It makes sharp and vivid print colors. The great upside of a plexiglass print is that contrasts as well as color details become identifiable because of the fine gradation in the print. The plexiglass with real glass coating protects your chosen art replica against sunlight and heat for many decades.
  • Impression métallique (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth - for a modern impression and non-reflective surface. A direct Aluminium Dibond Print is the perfect start to fine art prints produced with aluminum. The white & bright parts of the original artwork shine with a silky gloss, however without the glare. The colors of the print are luminous and bright, the details are very clear.

Le produit

Type de produit: copie d'art
Méthode de reproduction: reproduction numérique
Méthode de production: Impression directe UV
Origine du produit: Production allemande
Type de stock: à la demande
L'utilisation du produit: décoration de la maison, mur de la galerie
Orientation de l'image: alignement portrait
Rapport latéral: 3: 4
Interprétation du rapport d'aspect latéral: la longueur est 25% plus courte que la largeur
Variantes de matériaux: impression d'affiche (papier de toile), impression sur verre acrylique (avec revêtement en verre véritable), impression sur toile, impression métallique (aluminium dibond)
Impression sur toile (toile sur châssis brancard): 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 ", 120x160cm - 47x63"
Impression sur verre acrylique (avec revêtement en verre véritable): 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 "
Options d'impression d'affiche (papier de toile): 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 "
Tailles d'impression en aluminium (matériau dibond en aluminium): 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 "
Encadrement impression d'art: pas de cadre

Avertissement légal: We try our best to describe our art products with as many details as we can and to exhibit them visually. Please keep in mind that the tone of the print materials and the printing might differ marginally from the image on the monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Given that all the fine art prints are processed and printed manually, there may as well be slight variations in the size and exact position of the motif.

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