John Frederick Peto, 1906 - Lumières d'autres jours - tirage d'art

What does the Art Institute Chicago say about the 20th century work of art created by John Frederick Peto? (© Copyright - Art Institute Chicago - Art Institute Chicago)

Lights of Other Days, like many of John F. Peto’s still lifes, is replete with nostalgia. Strewn along a shallow shelf above a doorframe is an array of old, well-worn objects: candleholders with wax candles nearly used up, rusty oil lamps, and torn books. These discarded commonplace objects allude to older ways of life and fading memories. Peto specialized in trompe l’oeil (fools the eye) pictures; yet his soft-edged style is suggestive of the artist’s hand rather than the heightened illusionism employed by other trompe l’oeil painters such as William Harnett. Trained in Philadelphia, Peto stopped exhibiting his work at professional venues by 1890, creating compositions instead for local patrons near his New Jersey home.

Spécification du produit d'art

In 1906 le mâle American painter John Frederick Peto painted this painting. The 110 La peinture d'un an mesure la taille: 77,5 × 45 1/4 cm (30 1/2 × 45 1/4 in). Oil on canvas was used by the painter as the technique for the artwork. The original painting has the following inscription: signed, on verso: "John F. Peto". L'œuvre d'art est dans le Art Institute de Chicago collection. le l'art moderne oeuvre d'art, qui fait partie de la domaine public est inclus avec l'aimable autorisation de Art Institute Chicago. Ligne de crédit de l'œuvre: Fonds Goodman. De plus, l'alignement de la reproduction numérique est paysage d'été avec un rapport hauteur / largeur de 3: 2, which implies that the length is 50% longer than the width. John Frederick Peto was a painter, whose artistic style can mainly be assigned to Realism. The North American painter was born in the year 1854 in Philadelphia, Philadelphia county, Pennsylvania, United States and passed away at the age of 53 in the year 1907 in New York City, New York state, United States.

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• Impression dibond en aluminium: An Aluminium Dibond print is a print with a true depth effect. A direct Direct Print on Aluminum Dibond is the best start to prints with aluminum. For the Direct Print On Aluminum Dibond, we print your selected artwork on the aluminium surface. The colors of the print are luminous and vivid in the highest definition, the details of the print appear crisp and clear, and the print has a a matte appearance that you can literally feel.
• Impression d'affiche (matériau en toile): A poster is a printed canvas with a slightly roughened surface texture. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm around the painting in order to facilitate the framing.
• Impression sur verre acrylique (avec revêtement en verre véritable): An print on acrylic glass, often described as a UV print on plexiglass, will change the original into wonderful home decoration.
• Impression sur toile: A printed canvas stretched on a wooden frame. How do I hang a canvas print on the wall? Canvas prints are relatively low in weight. This means, it is quite simple to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for any type of wall.

L'artiste

Données de base sur l'œuvre d'art originale

Les spécifications du produit

Mentions légales: We try our best to depict the products as exact as possible and to display them visually. Although, the pigments of the printing material, as well as the printing can differ slightly from the representation on your screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed as exactly as the digital version. Since the fine art prints are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

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