Hans Memling, 1480 - Vierge à l'enfant avec les saints Catherine d'Alexandrie et Barbara - tirage d'art

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Le plus 540 œuvre d'art vieille d'un an nommée Vierge à l'enfant avec les saints Catherine d'Alexandrie et Barbara a été peint par le renaissance du nord artiste Hans memlingL’ 540 La version vieille d'un an de l'œuvre d'art a été réalisée avec la taille - Dans l'ensemble 26 7/8 x 28 7/8 po (68,3 x 73,3 cm); surface peinte 26 3/8 x 28 3/8 in (67 x 72,1 cm) et a été peint avec le médium huile sur bois. Today, this artpiece is part of the digital collection of Le Metropolitan Museum of Art, qui est situé dans New York City, New York, États-Unis d'AmériqueL’ domaine public L'artwork est inclus avec l'aimable autorisation de The Metropolitan Museum of Art, New York, Legs de Benjamin Altman, 1913. : Bequest of Benjamin Altman, 1913. What is more, the alignment is in square le format avec un rapport latéral de 1: 1, ce qui implique que la longueur est égale à la largeur. Hans Memling was a Netherlandish of Dutch nationality, whose artistic style was mainly Northern Renaissance. The Northern Renaissance painter was born in the year 1430 à Seligenstadt, Land de Hesse, Allemagne et décédé à l'âge de 64 en 1494 à Bruges, West-Vlaanderen, Flandre, Belgique.

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• Impression sur verre acrylique: An acrylic glass print, which is often referred to as a plexiglass print, changes the original artwork into home decoration. Moreover, it forms a distinct alternative to canvas or aluminium dibond art prints. With an acrylic glass fine art print contrasts and also granular image details become recognizeable with the help of the fine gradation in the picture. The acrylic glass protects your custom art print against sunlight and heat for many years to come.
• Impression dibond en aluminium: Aluminium Dibond prints are prints on metal with an outstanding depth, creating a fashionable impression thanks to a non-reflective surface. The white & bright parts of the artwork shine with a silky gloss but without the glow. Colors are luminous and vivid in the highest definition, the fine details of the print are crisp.
• L'impression sur toile: A UV printed canvas material stretched on a wood stretcher frame. Besides, printed canvas generates a cosy and positive impression. Your canvas of your favorite artwork will allow you to transform your customized art print into a large size artwork. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. Canvas prints are suited for all kinds of walls.
• Affiche imprimée (matériau en toile): A poster print is a UV printed sheet of flat canvas with a slight texture on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.

Note légale importante: We try to describe our art products as accurately as possible and to showcase them visually on the respective product detail pages. Nonetheless, the colors of the print materials, as well as the print result might vary marginally from the image on the device's monitor. Depending on your screen settings and the condition of the surface, color pigments may not be printed one hundret percent realistically. Because all the art reproductions are processed and printed manually, there may also be slight deviations in the motif's exact position and the size.

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What does the The Metropolitan Museum of Art state about this 15th century work of art made by Hans Memling? (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

The picture’s harmonious composition was adapted from a large, celebrated altarpiece Hans Memling completed in 1479 for the Sint-Janshospitaal in Bruges. This smaller, more modest version was commissioned by an anonymous donor who kneels at the left. He is shown reciting his rosary as he contemplates Saint Catherine’s mystic marriage to the infant Jesus. Saint Barbara, whose attribute—the tower—is behind her, sets a meditative example by reading. The grape arbor above the Virgin’s throne and canopy was most likely added shortly after Memling’s lifetime, in the early sixteenth century, when the cult of the Eucharist became increasingly popular.