Edwaert Colyer, 1696 - Still Life - tirage d'art

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In 1696 the male Dutch artist Edwaert Colier fait ça 17th siècle piece of art. The 320 year-old work of art has the size - 19-1 / 8 x 24-1 / 4 pouces et a été produit avec le technique of huile sur toile. Nowadays, the artpiece is included in the Indianapolis Museum of Art's art collection located in Indianapolis, Indiana, États-Unis d'Amérique. We are pleased to reference that this public domain artpiece is being provided with courtesy of Musée d'art d'Indianapolis.Also, the artpiece has the creditline: . Further, the alignment of the digital reproduction is landscape and has a side ratio of 4 : 3, meaning that la longueur est 33% plus longue que la largeur.

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The product dropdown menu provides you with the opportunity to choose your favorite size and material. In order match your personal requirements perfectly, you can choose among the following product customization options:

• L'impression d'affiche (matériel de toile): A poster print is a printed canvas with a slight surface texture, which reminds the original artwork. It is designed for placing your fine art print using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing with a custom frame.
• Impression dibond en aluminium (métal): Aluminium Dibond prints are prints on metal with a true depth effect. The Direct Print on Aluminum Dibond is your ideal introduction to reproductions produced with aluminum. The bright and white sections of the original artwork shine with a silk gloss, however without the glare. Colors are luminous in the highest definition, fine details of the print appear very clear, and you can feel a matte appearance of the product. The UV print on Aluminum Dibond is one of the most popular entry-level products and is a modern way to showcase art, as it draws focus on the artwork.
• Impression sur verre acrylique: The acrylic glass print, often named a print on plexiglass, will convert your favorite original work of art into beautiful home decoration. Moreover, the acrylic print is a distinct alternative to aluminium or canvas fine art replicas. Your favorite artwork is custom-made with state-of-the-art UV direct print machines.
• L'impression sur toile: A UV printed canvas mounted on a wood frame. The printed canvas produces a cosy, pleasing appearance. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all types of walls in your house.

Avertissement légal: We try everything in order to describe our art products as accurate as possible and to display them visually on the different product detail pages. Still, the tone of the print products, as well as the print result may differ to a certain extent from the presentation on your device's screen. Depending on your screen settings and the condition of the surface, not all colors can be printed as exactly as the digital version shown here. Because all art reproductions are printed and processed by hand, there might as well be slight deviations in the exact position and the size of the motif.

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Informations générales sur une œuvre d'art

Informations générales sur l'artiste

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Original information about the artwork from Indianapolis Museum of Art (© - par Indianapolis Museum of Art - www.discovernewfields.org)

Gallery label: Edwaert Colyer was a specialist in trompe l'oeil compositions like this one, designed to fool the eye with its convincing illusion of reality. The letter rack holds papers that relate to important political events during the reign of William III of England. There is a copy of the king's speech to Parliament following a failed attempt to assassinate him and a paper that alludes to the Treaty of Turin (1696), which precipitated the collapse of the Grand Alliance against the French. Another folded paper is inscribed with the artist's name. The painting can perhaps be understood as a comment on the fleeting nature of earthly power.

Indianapolis Museum of Art James E. Roberts Fund