Jean Bellegambe, 1509 - Charles Coguin, Abbé d'Anchin - tirage d'art

38,99 €

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Résumé

This more than 510 years old work of art was created by Jean BellegambeL’ 510 years old original of the artwork was painted with the size: Arched top, 26 3/4 x 11 3/8 in (67,9 x 28,9 cm) and was painted with the medium oil on wood. It belongs to the Le Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This artpiece, which is in the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. In addition, the artpiece has the creditline: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Furthermore, alignment of the digital reproduction is in portrait le format avec un ratio de 1: 2, Ce qui signifie que la longueur est 50% plus courte que la largeur. Jean Bellegambe was a painter, whose style can primarily be attributed to Northern Renaissance. The French painter lived for a total of 66 ans - born in the year 1470 in Douai, Hauts-de-France, France and deceased in the year 1536.

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Nous proposons une gamme de tailles et de matériaux différents pour chaque produit. Les options suivantes sont disponibles pour l'individualisation:

  • Impression sur verre acrylique (avec revêtement en verre véritable): The acrylic glass print, often referenced as a print on plexiglass, will change your chosen original artwork into lovely home decoration. Our acrylic glass protects your custom fine art print against light and heat for between 40-60 years.
  • Métal (impression dibond en aluminium): An Aluminium Dibond print is a material with an outstanding depth effect. A direct Aluminium Dibond Print is the best start to the sophisticated world of fine art reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print your favorite artwork onto the aluminium surface. The white & bright parts of the artpiece shimmer with a silky gloss, however without the glare.
  • L'impression sur toile: A printed canvas, not to be mistaken with a canvas painting, is an image printed from an industrial printer. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls.
  • Impression d'affiche (matériel de toile): A poster is a UV printed cotton canvas paper with a slightly rough texture on the surface, which resembles the actual work of art. A printed poster is best suited for framing the fine art print with the help of a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing.

Avertissement légal: We try to depict our products with as many details as possible and to illustrate them visually in our shop. Please bear in mind that the colors of the printing material and the imprint may differ to a certain extent from the presentation on your screen. Depending on the screen settings and the quality of the surface, not all color pigments can be printed as exactly as the digital version on this website. In view of the fact that the are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Informations sur l'article

Type de produit d'impression: copie d'art
La reproduction: reproduction numérique
Méthode de production: Impression directe UV
Origine du produit: fabriqué en Allemagne
Type de stock: production à la demande
Utilisation proposée du produit: mur de la galerie, décoration
Orientation: format portrait
Rapport d'image: 1: 2 longueur à largeur
Signification du rapport d'image: la longueur est 50% plus courte que la largeur
Options de matériaux disponibles: impression d'affiche (papier de toile), impression en métal (dibond en aluminium), impression sur verre acrylique (avec revêtement en verre véritable), impression sur toile
Variantes de toile sur châssis de civière (impression sur toile): 20x40cm - 8x16 "
Impression sur verre acrylique (avec revêtement en verre véritable): 20x40cm - 8x16 "
Options de taille d'impression d'affiche (papier de toile):
Options de taille d'impression Dibond (matériau d'alumnium): 20x40cm - 8x16 "
Cadre: pas disponible

Informations générales sur l'oeuvre

Nom de l'oeuvre: "Charles Coguin, Abbot of Anchin"
Catégorisation de l'œuvre d'art: peinture
Vaste catégorie: art classique
Classification temporelle: 16th siècle
Créé dans l'année: 1509
Âge approximatif de l'oeuvre: 510 ans
Support original de l'oeuvre: huile sur bois
Taille de l'oeuvre originale: Dessus arqué, 26 3/4 x 11 3/8 po (67,9 x 28,9 cm)
Musée: Le Metropolitan Museum of Art
Lieu du musée: New York City, New York, États-Unis d'Amérique
Site Web du musée: www.metmuseum.org
Licence: domaine public
Avec l'aimable autorisation de: The Metropolitan Museum of Art, New York, The Friedsam Collection, Legs of Michael Friedsam, 1931
Ligne de crédit: La collection Friedsam, legs de Michael Friedsam, 1931

Détails de l'artiste

Artistes: Jean Bellegambe
Autres noms: Jean Bellegambe, Master of Colors, Bellegambe Jehan, Bellegambe Jean, Bellegambe
Sexe de l'artiste: mâle
Nationalité: Français
Professions de l'artiste: peintre
Pays d'origine: France
Classement des artistes: vieux maitre
Styles d'art: Renaissance du Nord
Âge au décès: 66 ans
Année de naissance: 1470
Né à (lieu): Douai, Hauts-de-France, France
Décédé dans l'année: 1536
Décédé à (lieu): Douai, Hauts-de-France, France

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Description de l'œuvre originale par le site Web du Metropolitan Museum of Art (© Copyright - par le Metropolitan Museum of Art - Le Metropolitan Museum of Art)

Charles Coguin was the superior of the Benedictine monastery of Saint Sauveur d'Anchin, near Douai, from 1511 to 1547 and during his years there commissioned many works from Bellegambe. This portrait, which has been cut down at the top and bottom, was the left wing of a triptych.

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