Francisco de Zurbarán, 1627 - La Crucifixion - tirage d'art
TTC Expédition calculée à la caisse.
Explication du produit artistique
Cette œuvre d'art vieille de plus de 390 ans La crucifixion was created by Francisco de Zurbarán. The beyond 390 L'original de plusieurs années a été peint avec la taille: 290,3 × 165,5 cm (114 5/16 × 65 3/16 pouces) et a été conçu sur le support huile sur toile. The original artwork has the following inscription: "signed and dated on a scrap of paper painted at the foot of the cross". This artwork is in the the digital art collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. We are glad to mention that this work of art, which is part of the domaine public is being supplied with courtesy of Art Institute Chicago. The creditline of the artwork is the following: Fonds commémoratif Robert A. Waller. De plus, l'alignement de la reproduction numérique est en portrait le format avec un ratio de 9: 16, ce qui signifie que la longueur est 45% plus courte que la largeur. Francisco de Zurbarán was a male painter of Spanish nationality, whose style was primarily Baroque. The artist was born in 1598 et décédé à l'âge de 66 dès 1664.
Choix de matériaux possibles
In the dropdown lists right next to the product offering you can choose the size and material of your choice. Therefore, we allow you to choose among the following options:
- L'impression sur toile: A canvas print is a printed canvas mounted on a wood stretcher. A canvas print has the advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the use of any wall-mounts. A canvas print is suited for any type of wall.
- Dibond en aluminium: An Aluminium Dibond print is a material with an impressive depth, which creates a contemporary look throuch a surface , which is non-reflective. A direct Direct Print on Aluminum Dibond is the best start to art reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print the favorite artwork on the surface of the white-primed aluminum material. The white & bright sections of the original artpiece shimmer with a silky gloss but without any glare. The colors are bright and luminous in the highest definition, fine details of the print appear crisp, and you can notice a matte appearance.
- Poster (matériau en toile): A poster is a printed flat canvas with a nice structure on the surface, that resembles the actual masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing.
- Verre acrylique imprimé (avec revêtement en verre véritable): An print on acrylic glass, which is often named as a plexiglass print, makes the original into décor. Your work of art will be printed with the help of state-of-the-art UV direct printing machines. It creates vibrant and sharp colors. With an acrylic glass art print contrasts and small details become more exposed due to the very subtle tonal gradation of the print.
Avertissement légal: We try our best to depict the products with as many details as possible and to demonstrate them visually on the various product detail pages. Nonetheless, the colors of the print materials and the print result may vary marginally from the presentation on your monitor. Depending on your settings of your screen and the nature of the surface, not all colors are printed one hundret percent realistically. In view of the fact that all the fine art prints are printed and processed by hand, there might as well be slight deviations in the motif's size and exact position.
A propos de ce produit
Catégorisation des articles: | tirage d'art |
Méthode de reproduction: | reproduction numérique |
Technique de production: | impression numérique |
Provenance: | Production allemande |
Type de stock: | production à la demande |
L'utilisation du produit: | art mural, mur de la galerie |
Orientation: | format portrait |
Rapport d'aspect de l'image: | longueur Largeur - 9: 16 |
Implication du rapport hauteur / largeur de l'image: | la longueur est 45% plus courte que la largeur |
Choix de matériaux de l'article: | impression sur verre acrylique (avec revêtement en verre véritable), impression d'affiche (papier de toile), impression en métal (aluminium dibond), impression sur toile |
Options de taille de toile sur châssis de civière (impression sur toile): | 50 x 90 cm - 20 x 35 ", 100 x 180 cm - 39 x 71" |
Impression sur verre acrylique (avec revêtement en verre véritable) | 50 x 90 cm - 20 x 35 ", 100 x 180 cm - 39 x 71" |
Variantes d'impression d'affiche (papier de toile): | 50x90cm - 20x35 " |
Options de taille d'impression en aluminium: | 50x90cm - 20x35 " |
Cadre photo: | non inclus |
Informations sur l'oeuvre
Titre de l'œuvre d'art: | "La crucifixion" |
Classification de l'œuvre d'art: | peinture |
Catégorie: | art classique |
Période: | 17th siècle |
Créé : | 1627 |
Âge approximatif de l'oeuvre: | plus de 390 ans |
Support d'origine: | huile sur toile |
Dimensions de l'oeuvre originale: | 290,3 × 165,5 cm (114 5/16 × 65 3/16 pouces) |
Signature sur l'oeuvre: | signed and dated on a scrap of paper painted at the foot of the cross |
Musée / collection: | Art Institute Chicago |
Emplacement du musée: | Chicago, Illinois, États-Unis d'Amérique |
Site Internet du musée: | Art Institute Chicago |
Type de licence: | domaine public |
Avec l'aimable autorisation de: | Art Institute Chicago |
Ligne de crédit de l'oeuvre: | Fonds commémoratif Robert A. Waller |
Tableau récapitulatif des artistes
Artistes: | Francisco de Zurbaran |
Genre: | mâle |
Nationalité de l'artiste: | Espagnol |
Les professions: | peintre |
Pays natal: | Espagne |
Classement de l'artiste: | vieux maitre |
Modes: | Baroque |
Âge au décès: | 66 ans |
Née: | 1598 |
Décédé dans l'année: | 1664 |
© Copyright par | Artprinta (www.artprinta.com)
Artwork description from Art Institute Chicago (© - Institut d'art de Chicago - Art Institute Chicago)
Beginning in the mid-sixteenth century, the Roman Catholic Church clarified and reaffirmed its doctrine and practices in an effort to combat the impact of the Protestant Reformation. This effort, known as the Counter-Reformation, recognized the educational and inspirational value of visual images and required artists to work in a style that favored clarity and dramatic fervor.