Johann Zoffany, 1766 - John, quatorzième Lord Willoughby de Broke, et sa famille - tirage d'art

Informations détaillées sur l'article

L'œuvre d'art John, Fourteenth Lord Willoughby de Broke, and his Family a été faite par Johann Zoffany in 1766. Aujourd'hui, l'œuvre d'art fait partie de la collection d'art numérique de Musée J. Paul Getty. Avec l'aimable autorisation de Musée J. Paul Getty (licence: domaine public).: . Further, the alignment is landscape and has an image ratio of 1.2: 1, ce qui signifie que la longueur est 20% plus longue que la largeur. The painter, printmaker Johann Zoffany was an artist, whose artistic style was mainly Rococo. The European artist was born in the year 1733 à Francfort-sur-le-Main, État de Hesse, Allemagne et est décédé à l'âge de 77 en 1810 à Londres, Grand Londres, Angleterre, Royaume-Uni.

Choisissez l'option de matériau de votre article

In the dropdown menu right next to the product offering you can pick the size and materialaccording to your individual preferences. The following sizes and materials are the options we offer you for individualization:

• L'impression sur toile: The printed canvas material mounted on a wood frame. Your canvas of this work of art will let you turn your custom fine art print into a large collection piece as you know from art galleries. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang your Canvas print without additional wall-mounts. That is why, canvas prints are suited for any kind of wall.
• Métal (impression dibond en aluminium): An Aluminium Dibond print is a print with a true depth effect - for a modern look and non-reflective surface. The Aluminium Dibond Print is your ideal introduction to fine reproductions with aluminum. For your Aluminium Dibond option, we print the work of art onto the surface of the white-primed aluminum. Colors are bright and vivid in the highest definition, fine details appear crisp and clear, and you can feel a matte appearance.
• Impression sur verre acrylique (avec revêtement en verre véritable): A glossy acrylic glass print, often referred to as a an art print on plexiglass, transforms the original work of art into décor. Furthermore, it makes a great alternative to canvas or aluminium dibond fine art prints. The artwork is being printed with state-of-the-art UV direct print machines.
• L'impression d'affiche (matériel de toile): Our poster is a UV printed sheet of flat canvas with a slight surface texture. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the painting in order to facilitate the framing with your custom frame.

Mentions légales: We try what we can to depict our art products as closely as possible and to exhibit them visually. At the same time, the pigments of the printing material and the print result might vary slightly from the representation on the monitor. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that our fine art prints are printed and processed by hand, there may also be minor discrepancies in the motif's exact position and the size.

Les spécifications du produit

Données de base sur l'œuvre d'art unique

Tableau récapitulatif des artistes

© Copyright protégé, Artprinta.com

Additional description from the museum (© - by The J. Paul Getty Museum - Musée J. Paul Getty)

John Peyto-Verney, fourteenth Lord Willoughby de Broke, and his wife, Lady Louisa North, appear about to take tea with their three young children. She holds her daughter, who stands on the table attempting a first step. In high spirits, one son enters on the right pulling a bright red toy horse. Another son attempts to take a piece of buttered bread from the table while receiving an admonishing gesture from his father. Johann Zoffany, with his ability to portray lively figures interacting together in meticulous detailed settings, excelled at conversation pieces. These informal group portraits, introduced as a new genre of painting in England in the 1700s, vividly recorded the settings and social customs of the time.

Zoffany took care to include the details of the gentry's lives: Lady Louisa's shimmering light blue gown, the landscape painting above the fireplace mantel, the fine porcelain tea service, and the reflections on the highly polished silver urn. The sparse room also makes a statement about the family's social position. Only an ancient, titled family of the British ruling class would adopt the deliberate casualness of the olive-drab walls and worn carpet. The family has nonetheless displayed its wealth in their fashionable costumes.